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Twelfth Night, by William Shakespeare
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Twelfth Night, or What You Will is a comedy by William Shakespeare, believed to have been written around 1601–02 as a Twelfth Night's entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian, who are separated in a shipwreck. Viola (who is disguised as a boy) falls in love with Duke Orsino, who in turn is in love with the Countess Olivia. Upon meeting Viola, Countess Olivia falls in love with her thinking she is a man. The play expanded on the musical interludes and riotous disorder expected of the occasion, with plot elements drawn from the short story "Of Apollonius and Silla" by Barnabe Rich, based on a story by Matteo Bandello. The first recorded performance was on 2 February 1602, at Candlemas, the formal end of Christmastide in the year's calendar. The play was not published until its inclusion in the 1623 First Folio.
- Published on: 2011-03-24
- Released on: 2011-03-24
- Format: Kindle eBook
From School Library Journal
Grade 4-8-In this verbal and visual treat, readers have the opportunity to enjoy one of Shakespeare's best-loved comedies. Coville's author's note explains that his prose adaptation is "not meant as a replacement for the original, but as an appetizer for the greater feast still to come." Thus, the story is clear and carefully told, making it easy both to follow the primary and secondary plot lines and to appreciate the intricacies of their interweavings. Coville keeps the flavor of the playwright's poetic language by using actual quotes from the play and expressions and a formal sentence structure true to the style of Elizabethan times. Delightful full-page, colored pen-and-ink illustrations add just the right touch of humor to the already wacky tale. Raglin gives a distinctive identity to all of the characters, despite their attempted disguises, and he does a particularly good job of differentiating the buffoons of the subplot from the more realistically drawn dramatis personae. Colors and designs clearly suggest the Italian court dress of the times, and accurate architectural details add life to the settings. More suited to modern audiences than Charles and Mary Lamb's classic Tales from Shakespeare (Signet, 1986), and far better written than Jan Dean's Twelfth Night (Oxford, 2002), this is a version that will have young listeners begging to portray the Bard's scenes onstage. And, isn't that, after all, the whole point?-Nancy Menaldi-Scanlan, LaSalle Academy, Providence, RI
Copyright 2003 Reed Business Information, Inc.
From Booklist
Gr. 3-6. The latest in Coville's series of retold Shakespearean plays, this volume provides a short, prose version of Shakespeare's Twelfth Night, a romantic comedy that offers young people such promising elements as separated twins, a woman disguised as a man, a drunken buffoon, courtship, swordplay, mistaken identity, and a practical joke. Though simplified, the story is intact and bits of the original language are preserved. Large-scale ink drawings, warmed with tints of color and shaded with cross-hatching, clearly depict the action. As Coville states in his Author's Note, "Twelfth Night remains one of the most read and performed of Shakespeare's plays." Children looking for a preperformance introduction to the play's twisting plot will find this an appealing choice. Carolyn Phelan
Copyright © American Library Association. All rights reserved
Review
'The combination of careful scholarship emphasising the inspiration and excitement of the theatrical experience, with the freshly edited text, should make this one of the most useful new texts of Twelfth Night.' Theatre Journal
Most helpful customer reviews
12 of 12 people found the following review helpful.
Excellent addition to your 12 Night shelf
By Sammy Clemens
There are several really worthwhile editions of 12th Night, but don't overlook this one.
The Foreword and notes are excellent and useful; the format's sturdy and readable.
It's a good copy to have for the scholar/performer/director.
14 of 15 people found the following review helpful.
Understanding Shakespeare
By Amazon Customer
For a long time I would not let my students use No Fear because I wanted them to be able to read the play in Shakespeare's words, but when I tired to discuss the plays with them, I always felt like I was the only who read the play. (I use it for Hamlet as well.) After I let them use it the first time, I was so excited to hear my students' comments on the play because they actually understood what they were reading. When they write about the play and when we discuss it, we use Shakespeare's words. We also compare the modern words and Shakespeare's words. I really like the No Fears and recommend them to people who really want to understand Shakespeare. I have taught high school and am now teaching at a university, so I know the No Fears are great on both levels.
17 of 20 people found the following review helpful.
Naxos complete recording the best so far
By F. Behrens
Please notice that G.H.'s in-house review above does not refer to the recording pictured above, nor do any of the reviews so far. What follows refers only to the Naxos set.
There are now three complete recordings of available. We have the older and elegantly read version on Harper Audio with Dorothy Tutin as the best Viola of the lot. Acted with a bit more verve though with less poetry is the Arkangel Shakespeare recording with a Scottish Malvolio and a cast of younger sounding actors who are making names for themselves in Great Britain. However I am very impressed with the "Twelfth Night" that is one of the latest additions to the Naxos Classic Drama series.
By far, this is the best-produced "Twelfth Night." One actually feels he is hearing an actual stage performance with all of the action but with the loss of none of the poetry. Perhaps the Viola does sound a little maturer than imagination would have her and the Sir Toby Belch a little less belchy sounding than others. None of the Festes sing as marvelously as did Peter Pears on the long deleted Marlowe Society recording (also with Tutin); however, on this Naxos set David Timson stays nicely in tune--and directs the production to boot. And he keeps things moving neatly along, which is saying a lot for Shakespeare recordings.
The CD version has the advantage of excellent tracking cues for not only each scene but for key points within the scene. The Harper CDs give a new track only for each new scene and the tapes (of course) are quite useless in that regard. The Arkangel series at present exists only on tapes but they are planning to reissue the entire series on CDs. So this Naxos release is the one of choice so far.
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