Selasa, 29 April 2014

[M533.Ebook] Fee Download The Town: A Novel, by Chuck Hogan

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The Town: A Novel, by Chuck Hogan

Four masked men - thieves, rivals, and friends from the tough streets of Charlestown - take on a Boston bank at gunpoint. Holding bank manager Claire Keesey hostage and cleaning out the vault were simple tasks. But career criminal Doug MacRay didnt plan on one thing: falling hard for Claire.

When he tracks her down without his mask and gun, their mutual attraction is undeniable. With a tenacious FBI agent following his every move, he imagines a life away from his gritty, dangerous work, a life centered around Claire. But before that can happen, Doug and his crew learn that there may be a way to rob Boston's venerable baseball stadium, Fenway Park. Risky yet utterly irresistible, it would be the perfect heist to end his criminal career and begin a new life. But, as it turns out, pursuing Claire may be the most dangerous act of all.

Racing to an explosive climax, The Town is a brash tale of robbery in all its forms - and an unforgettable odyssey of crime, love, ambition, and dreams.

(Previously published as Prince of Thieves)

  • Sales Rank: #106097 in Audible
  • Published on: 2010-08-24
  • Format: Abridged
  • Original language: English
  • Running time: 366 minutes

Most helpful customer reviews

8 of 8 people found the following review helpful.
A Rich Narrative of Friendship, Strange Love and Suspense
By prisrob
"Charlestown, a blue collar Boston neighborhood, produces more bank robbers and armored car thieves than any square mile in the world." So begins Chuck Hogan's compelling novel.

The day after the 100th running of the Boston Marathon, Claire Keesey, a branch manager for a Boston bank, walks into her bank to start her day. And what a start it is! She is met by four men in horribly scarred masks and told to open the vault. She does this reluctantly, and in the midst of the robbery she is able to initiate the silent alarm. However, one of the robbers has a wire into the alarms and alerts the others. They finish taking the money; leaving the top layers of monies that are marked and take Claire as a hostage. On the way out one of the robbers beats the assistant manager thinking he was the one to set the alarm. All of this is registered in Claire's memory. Claire is released unhurt but with residual psychological damage.

The robbers are four friends, born and brought up in Charlestown. Three have violent backgrounds and have spent time in jail. The leader is Doug MacKay. Jimmy "Jem" Coughlin and Freddy "Gloansy" Magloan are the toughies- Mirth or Menace they are called. Des Elden is the brain of the group, recruited by Doug. Des works for Nynex, a lineman who knows how to connect to anything and anybody. They all have a history, date the same girls, drink at the same Irish clubs, and all agree that the influx of young professionals into Charlestown is not a good thing. They are pricing the locals out of their mother's homes and succeeding where the British have failed- driving them out of their neighborhood.

Doug MacKay, the leader can't get Claire Keesey out of his mind. She is lovely, intelligent and wouldn't back down until she was threatened. He develops a relationship with Claire and they fall in love. How can this work? These two so very different souls. Claire has no idea that Doug is one of the robbers and that is how the suspense builds. Into the midst comes FBI agent Adam Frawley, in charge of all bank robberies. He too becomes fond of Claire. Agent Frawley is smart and he is intent upon "getting his man". It is not until the robbers look at taking on Fenway Park, a magnificently dangerous opportunity that leaks and clues becomes apparent.

Church Hogan has written a marvelous book. The characters are richly drawn and you can see them in your mind-the action, and the mystery all come alive. The old neighborhoods of Boston and Charlestown are engraved in memory. And to top it all off, we learn about effective, studious robbers versus lazy robbers. The "ins and outs" of the robbery world, so to speak. A book to be read in one sitting, if you can, it is hard to put down.

Highly Recommended. prisrob 09-11-10

The Killing Moon: A Novel

Devils in Exile: A Novel

5 of 5 people found the following review helpful.
A superb crime thriller but also an excellent novel
By Craig McMurtry
"The Town" or "The Prince of Thieves" is easily among the best crime novels I've read. The heists described in the novel are much cleverer than those depicted in the fine movie version, and the characters and their relationships are also much richer.

While I delighted in Mr. Hogan's account of the culture of violent crime in Charlestown, delighted in the work as a crime thriller, I was even more impressed by its quality as a novel, simply as a work of art. I see artistry especially in the depiction of the character of Claire Keesey, the young woman to whom both Doug, the professional bank robber, and Frawley, the dedicated FBI agent, find themselves powerfully attracted. Mr. Hogan, very deliberately I think, makes her the blandest person in the story--the only bland person, in fact. She is very passive, entirely reactive. Yet, the plot revolves around her. Because Krista, Doug's former girlfriend, is decidedly more interesting, stealing every scene in which she appears, we know that Mr. Hogan is perfectly capable of presenting compelling female characters. So the fact that Claire is so boring is entirely deliberate, and, I think, the crux of artistic point that Mr. Hogan wants to make. Doug's world unravels because he becomes obsessed with a woman who is as interesting as a piece of cardboard. Uninteresting, that is, unless, like Doug, you happen to have seen what she "look[s] like up close," in a very literal sense. Doug sees her up close, and in so doing, sees the personification of the light that is the opposite of the darkness of his own violent crimes, and those of his family and his friends. He goes after that light that he sees, never noticing that the person he has thereby become fixated upon is really just a very ordinary, arbitrary girl.

Thus we are gifted with a crime thriller that also happens to be a novel about how the course of human lives get determined by how people happen to find themselves perceiving things, and especially one another.

10 of 12 people found the following review helpful.
Even Better On A Second Read
By Robert E. Klein
Today, I finished for the second time Prince of Thieves. Rarely, have I ever re-read a book. I have seen movies more than once (Enemy of the State; 10 times, the Bourne series 3 or 4, Ronin 3 or 4 times, Shawshank Redemption 3 times, etc), so reading a book again is just not something I do. But, I wanted to read Prince of Thieves again after reading Devils in Exile and also with the movie coming out, just to see if my first impression of it was accurate. The second read was even more amazing than the first. There was a lot I apparently missed in that first read that I can tell you I did not miss this time.

What makes the book for me are a number of things. First of all, it is just a great story. Secondly, Hogan does a fabulous job in creating his characters and giving them an amazing sense of believability. Thirdly, the author's attention to detail in so many facets of the story made it more than a read, as the story had a life of its own and I could truly put things in my life aside and be there. Even though the book is more than ten years old, it struck me as being timeless. Fourthly, the dialogue is completely believable and realistic. Too many times, I have read novels where the characters say things that are too structured and too predictable. Growing up north of Boston and personally knowing kids from Charlestown due to some of my life experiences, perhaps gave me somewhat of an advantage in feeling the sense of the Town. I am old enough to remember the prison in Charlestown and the riots that took place there. The infamous characters of that era like Trigger Burke, for one, are people that I remember reading about. But, even if I had not had that knowledge, the story gives it to you and lets the reader be more than an observer and at times you feel that you are also part of that community.

I guess the bottom line would be that I loved the book and could easily see myself reading it a third time. Hogan should be very proud of his efforts and this achievement and while it is hard for me to believe that Afleck will be able to give it the justice it richly deserves in his film, to me none of that matters as the book will clearly transcend his interpretation. To be candid, when I read it the second time, the characters did not take on the look or feel of any of the cast members from the film. Hogan's prose created much different people in my mind and that struck me as being rather cool. Finally, I am not sure what I have written here adequately expresses what I really feel or want to say, but hopefully, The reader will make the effort and get the picture. Thanks to Chuck Hogan again for a richly rewarding use of my time.

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Sabtu, 26 April 2014

[P405.Ebook] Fee Download Guitar Theory Handbook, by Pete Swann

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Guitar Theory Handbook, by Pete Swann

As I read through this book, it started as an "I knew that, I knew that. . ." experience. But as the pages turned, even the most knowledgeable musician would start to say, "well I knew that too, but I wasn't aware of where that came from" or "now I've never thought of it that way before". Soon I was saying, "now I never knew that" and "there's an inversion I've never encountered" and "so that's how that works!" Note by note, scale by scale, mode by mode and chord by chord Pete Swann uncovers, demystifies and unclouds the reasons why music works the way it does. Its laid out in a clear and logical manner. Believe me, there's enough knowledge between the covers of this book to keep you busy for the rest of this lifetime and halfway through the next one. - Wendell Fergusson, multiple Juno and multiple CCMA Guitar Player of the year winner

  • Sales Rank: #5216014 in Books
  • Published on: 2012-01-14
  • Original language: English
  • Dimensions: 11.00" h x .19" w x 8.50" l,
  • Binding: Paperback
  • 82 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Decent Enough
By Holly Meyer
Pretty solid for a 1st edition. Good information, good writing style and good layout/presentation. The author does break some new ground in his explanations and students of music theory that may have had trouble before will find many subjects better explained and more readily grasped and absorbed. I recommend this book heartily.

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Jumat, 25 April 2014

[I678.Ebook] PDF Download Practical Management of the Dizzy Patient, by Joel A. Goebel

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Practical Management of the Dizzy Patient, by Joel A. Goebel

The thoroughly updated Second Edition of this highly acclaimed text is a practical, concise, and current guide to diagnosis and treatment of the various diseases that cause dizziness and imbalance. The book progresses from symptoms to anatomy and physiology, history and physical examination, laboratory testing, disease entities, and treatment. This edition features expanded coverage of the physical examination and state-of-the-art information on test modalities, imaging techniques, surgical procedures, medical therapies for migraine, and superior canal dehiscence.

A companion Website will offer the fully searchable text, a question bank, and videos of physical examination techniques, abnormal eye movements, and surgical techniques. (http://www.goebeldizzypatient.com)

  • Sales Rank: #1597663 in eBooks
  • Published on: 2012-09-05
  • Released on: 2012-09-05
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Dizzy
By Rahaf
An excellent book! A very good purchase and provides essential clinical information.The book is very informative.
No problems with the ordering, paying or receiving of this book

0 of 0 people found the following review helpful.
Best medical information for those of us who did not ...
By RomeoEcho
I have dizziness which affects my balance. Best medical information for those of us who did not attend medical school.

0 of 0 people found the following review helpful.
Five Stars
By Lbartels
Superbly written, excellently illustrated, a masterful bookk,

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Rabu, 16 April 2014

[F453.Ebook] Fee Download Titanic--The Death and Life of a Legend, by Michael DAVIE

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Titanic--The Death and Life of a Legend, by Michael DAVIE

  • Published on: 1985
  • Binding: Paperback

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[Q629.Ebook] Download Ebook Le Corbusier Sketchbooks, Vol. 4, 1957-1964 (Architectural History Foundation Book)From The MIT Press

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The publication of Volumes 3 and 4 of the Le Corbusier Sketchbooks brings to completion a major undertaking by the Architectural History Foundation. After more than a decade of searching, the Fondation Le Corbusier found a suitable partner in publication to aid in the practical difficulties of producing the last and most elusive of Le Corbusier's unpublished works. André Wogenscky, President of the Fondation Le Corbusier, has stated that the sketchbooks vividly reproduced in these four volumes "are the most private of Le Corbusier's work, the most spontaneous, perhaps the most significant, encompassing all the others - the work of an entire lifetime."Volume 1, 1914-1948 and Volume 2, 1950-1954 were published in 1981. All the volumes are included in the Architectural History Foundation/MIT Press series. Volume 4 1957-1964 This final volume contains the personal reflections, criticisms of other's work, and self-criticisms of Le Corbusier's maturity. He reassesses many of his works and projects with brutal honesty and his evaluation of Dutch functionalism and American architecture are equally forthright.For all this, however, his creative energies appear undiminished. Drawings reveal the inception of the Philips Pavilion at Brussels, showing an unusual engineering device for the walls; a new art form, the "Electronic Poem," suggested by Le Corbusier for the interior of the pavilion; and the first sketches for his only building in the United States, the Carpenter Center for the Visual Arts at Harvard.Volume 4 closes with sketches of Roquebrune, on the Mediterranean, where Le Corbusier lost his life a year after making them.

  • Sales Rank: #3666662 in Books
  • Published on: 1982-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.10" h x 1.80" w x 10.60" l, 6.01 pounds
  • Binding: Hardcover
  • 520 pages

Review

"A unique record of the mental processes of the most influential architect of the twentieth century." Vincent Scully



"In the sketchbooks, Le Corbusier's drawings run the gamut from the coldly analytical to the warmly romantic.... [They] not only provide clues as to what he was about as an architect and as a painter, they also reveal and comment on a more gentle, receptive side of his personality - a side that he generally sought to hide under the guise of Le Corbusier, the architect." David Gebhard , The New York Times Magazine



"Overwhelming-both as an outstanding scholarly achievement and as a visually and intellectually stimulating compendium of thoughts and notations of Le Corbusier." Richard Meier



"The publication of Le Corbusier's sketchbooks is, perhaps, the most important documentation to date of anything to do with the Modern Movement." Philip Johnson

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Sabtu, 05 April 2014

[Q706.Ebook] Free Ebook How to Write About Contemporary Art, by Gilda Williams

Free Ebook How to Write About Contemporary Art, by Gilda Williams

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How to Write About Contemporary Art, by Gilda Williams

An essential handbook for students and professionals on writing eloquently, accurately, and originally about contemporary art

How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs.

In counseling the reader against common pitfalls―such as jargon and poor structure―Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk.

Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today. 34 illustrations and 64 Source Texts

  • Sales Rank: #39208 in Books
  • Published on: 2014-10-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .70" w x 5.70" l, .22 pounds
  • Binding: Paperback
  • 264 pages

Review
“With How To Write About Contemporary Art Gilda Williams has created an illuminating, engaging and urgent guide to contemporary art-writing. While this is clearly essential reading for arts students and those at the start of a career in arts writing or criticism , it is equally invaluable for anyone involved in the art world that needs to transmit information and ideas in written form about contemporary art. So that’s basically all of us.” (Hans Ulrich Obrist, co-Director, Serpentine Gallery)

“Finally. A book that teaches you how to write and think clearly about art. I can imagine this book inspiriting future generations to write legibly and intelligently art criticism, a field that's become too hermetic and convoluted for its own good. Revolutionary, radical and long overdue. Bravo!” (Kenneth Goldsmith, poet and founder, UbuWeb)

“A rare guide to writing practice that's also a wonderfully engaging read in itself, Gilda Williams's How to Write about Contemporary Art interweaves plainspoken advice on the practical nuts-and-bolts of art criticism with trenchant observations about the conditions of the profession, all delivered in the voice of a savvy, generous friend. With a long track record as both a writer for and editor at leading journals and publishing houses, Williams knows the field from both sides this valuable book engages not only the hows but, crucially, also the whys of art writing.” (Jeff Kastner, Editor, Cabinet magazine)

“Bless you, Gilda Williams, for reminding us that fear is the root of bad writing, and for showing us how to take courage. Art writing can be deep, accurate, surprising, and even beautiful―and with any luck, How to Write about Contemporary Art will spark a renascence of the deep, accurate, surprising, beautiful art writing we so badly need.” (Barry Schwabsky, art critic, The Nation)

“Artforum correspondent Williams applies lessons in graceful prose to the field of art writing… [She] excels when looking at excerpts from accomplished critics, including Rosalind Krauss and Walter Benjamin, and when giving nuts-and-bolts advice for crafting specific genres of art-world documents (catalogue essays, short news articles, academic essays, and the like) [This] how-to provides enough art-specific insights to cut through the garble so common in the field.” (Publishers Weekly)

“In outlining exactly how an auction catalogue differs from a museum’s wall label and a magazine review, down to the vocabulary and tone each should accommodate, Williams gives insight to the inner workings of very different industries: academia, auction houses and mainstream and professional press. Her systematic analysis of the current state of art writing is a first [and her] methodology is flawless.” (frieze)

“Fantastic... a straight-forward must-read for every writer, reader, artist and designer. Williams holds your hand, explaining why you need to do it, what you need to do, and how to do it.” (FullScream.com)

“Thrillingly clear ... a beautifully formed guide to writing [...] should be required reading across every creative discipline. Essential!” (Dressingtheair.com)

“A thoroughly sensible and accessible guide to writing that could almost be applied to any subject.” (artbookreview.com)

“Artforum correspondent Williams applies lessons in graceful prose to the field of art writing...[She] excels when looking at excerpts from accomplished critics, including Rosalind Krauss and Walter Benjamin, and when giving nuts-and-bolts advice for crafting specific genres of art-world documents (catalogue essays, short news articles, academic essays, and the like) [This] how-to provides enough art-specific insights to cut through the garble so common in the field.” (Publishers Weekly)

“Illuminates contemporary art writing, providing insights into what we write about when we write about art....[Williams] reenvisions what it means to be a professional art writer and outlines the methods, ethics and even the financing that could see the role of the writer codified and professionalized in a new and important way in the art world of tomorrow.” (Burnaway)

“Admirably practical and instructive. . . . Accessible, well-organized, and example-rich, How to Write About Contemporary Art provides a welcome refresher course for writers who might not have known they need one. . . . Williams clearly loves the craft of criticism. Rather than rag on examples of unfortunate critical prose, she smartly confines her excerpted examples to writing she admires, even adores. Like good art, the book, however basic, inspires you to want to write your own criticism.” (Hyperallergic)

About the Author
Gilda Williams is a London correspondent for Artforum and lecturer at Goldsmiths College and Sotheby’s Institute of Art, London. From 1994 to 2005 she was Editor and then Commissioning Editor at Phaidon Press. She is a former managing editor at Flash Art International and her writing has appeared in Tate Etc., Parkett, Art Monthly, Art in America and Time Out. Williams is author of The Gothic (2007) and has contributed to catalogues for exhibitions at the Whitechapel Art Gallery, London, the 48th Venice Biennale, and the Stedelijk Van Abbemuseum, Rotterdam, among others.

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11 of 11 people found the following review helpful.
Highly Recommended for Learning How to Write About Art
By S. Canzoneri
I bought this book at a shop in London last summer. Her writing is clear and very helpful, with a pleasant, encouraging voice. Recently another artist and I were slogging through the tedious process of writing statements to go with our submission packets responding to a call for proposals of solo exhibits. We both found this book a great help, as we drafted statements and critiqued one another's writing.

I've become an artist after pursuing other careers that required particular writing styles and language. Though I've been told I'm a good writer all my life, learning to master the kind of writing expected in the arts has been a challenge. This book is one of the best sources I've found for people like me, and my copy of the book is already well thumbed through.

I recommend paying more and getting the book in hard copy, rather than a Kindle edition. It's the kind of book you want to have in your hand, able to flip through pages, marking passages with Post It notes and bookmarks, as you write. The book itself is very well designed, printed on great paper, and just plain feels good in your hand. You won't get the aesthetic experience in a Kindle edition, and you won't be able to use it as effectively as a reference book. I say this as someone who does not have a knee-jerk negative reaction to e books; I use them a lot. But this is a book to have in hard copy.

6 of 8 people found the following review helpful.
Nothing could be simpler
By Lisa, Manila.
Succinct and sly, this how-to book is great training camp for all writers (and readers) of contemporary art lit, whether criticism or catalogue. Brilliantly organized too.

0 of 0 people found the following review helpful.
Could also be called "understanding art"
By A. James
A joy to read; insightful, educational, entertaining!

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Selasa, 01 April 2014

[N185.Ebook] Download Ebook Physics of Thermal Therapy: Fundamentals and Clinical Applications

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Physics of Thermal Therapy: Fundamentals and Clinical Applications

Physics of Thermal Therapy: Fundamentals and Clinical Applications by Unknown...

  • Binding: Hardcover

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