Kamis, 31 Maret 2011

[W814.Ebook] Fee Download Gauntlgrym: Neverwinter Saga, Book I (The Legend of Drizzt 20), by R.A. Salvatore

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Gauntlgrym: Neverwinter Saga, Book I (The Legend of Drizzt 20), by R.A. Salvatore



Gauntlgrym: Neverwinter Saga, Book I (The Legend of Drizzt 20), by R.A. Salvatore

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Gauntlgrym: Neverwinter Saga, Book I (The Legend of Drizzt 20), by R.A. Salvatore

Drizzt joins Bruenor on his quest for the fabled dwarven kingdom of Gauntlgrym: ruins said to be rich with ancient treasure and arcane lore. But before they even get close, another drow and dwarf pair stumbles across it first: Jarlaxle and Athrogate.  In their search for treasure and magic, Jarlaxle and Athrogate inadvertently set into motion a catastrophe that could spell disaster for the unsuspecting people of the city of Neverwinter—a catastrophe big enough to lure even the mercenary Jarlaxle into risking his own coin and skin to stop it. Unfortunately, the more they uncover about the secret of Gauntlgrym, the more it looks like they can’t stop it on their own. They’ll need help, and from the last people they ever thought to fight alongside again: Drizzt and Bruenor.

  • Sales Rank: #21714 in eBooks
  • Published on: 2010-10-05
  • Released on: 2010-10-05
  • Format: Kindle eBook

About the Author
R.A. Salvatore is the New York Times best-selling author of more than forty novels, including the popular Forgotten Realms® series The Legend of Drizzt. He's an avid gamer, father of three, and loyal citizen of Red Sox Nation.

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98 of 111 people found the following review helpful.
Gauntlgrym by R. A. Salvatore
By Travis Eisenbrandt
Gauntlgrym by R. A. Salvatore- This is the first book in the Neverwinter trilogy as well as the twentieth novel in The Legend of Drizzt series. The next two books in the trilogy are yet to be named at the time of this review. The Legend of Drizzt series contains a number of trilogies and series and it all takes place in the Forgotten Realm universe of Dungeons and Dragons. The Dark Elf Trilogy (Homeland, Exile, and Sojourn), The Icewind Dale Trilogy (The Crystal Shard, Streams of Silver, and The Halfling's Gem), Legacy of the Drow (The Legacy, Starless Night, Siege of Darkness, and Passage to Dawn), Paths of Darkness (The Silent Blade, Spine of the World, Sea of Swords), The Hunter's Blades Trilogy (The Thousand Orcs, The Lone Drow, and The Two Swords), and Transitions (The Orc King, The Pirate King, and The Ghost King) are all apart of The Legend of Drizzt series. Some other characters in the saga are found in The Sellswords trilogy (Servant of the Shard, Promise of the Witch King, and Road of the Patriarch) and The Cleric Quintet (Canticle, In Sylvan Shadows, Night Masks, The Fallen Fortress, and The Chaos Curse). R. A. Salvatore has also written a few other books set in shared universes. He has written two Star Wars based books, Vector Prime and Star Wars Episode Two: Attack of the Clones, and he has also written a book based on Tarzan called Tarzan: The Epic Adventures. R. A. Salvatore has also written a few books in his on created worlds, Ynis Aielle (Echoes of the Fourth Magic, The Witches Daughter, and Bastian of Darkness), Spearwielders Tales (The Woods Outback, The Dragon's Dagger, and Dragonslayer's Return), The Crimson Shadow (The Sword of Bedwyr, Luthien's Gamble, and The Dragon King), Demon Wars (The Demon Awakens, The Demon Spirit, The Demon Apostle, and Mortalis), Demon Wars: Second Saga (Ascendance, Transcendence, and Immortalis) and the Saga of the First King (The Highwayman, The Ancient, The Dame, and The Bear). He also co-wrote The Stone of Tymora (The Stowaway, The Shadowmask, and The Sentinels) with his son Geno Salvatore. Along with all that, he has written a few short stories. Gauntlgrym was released in October 2010 and is published by Wizards of the Coast.

Years have passed since Drizzt Do'Urden's life changed. His love, Catti-brie, is dead, along with his friend Regis. The dwarven kingdom of Mithral Hall's peace treaty with the orcish Kingdom of Many Arrows has held over the years and a peace is found in the land. His other friend, the king of Mithral Hall, Bruenor Battlehammer, is nearing the end of his life. However, Bruenor still has the fire in him to find the lost dwarven kingdom named Gauntlgrym, so he brings Drizzt, the battlerager Pwent, an orc named Jessa, and a gnome alchemist named Nanfoodle along with him. Years upon years pass by with no luck finding the place. Even after Jessa and Nanfoodle pass away, Drizzt and Bruenor continue the search. However, another group stumbles upon the forgotten city. A Thayan named Dahlia is searching for what powered the Hosttower, a treelike tower that housed wizards in Luskan before the cities fall. Her search for answers leads her to Jarlaxle and his dwarven friend Athrogate. Little do they know that it was Gauntlgrym that produced the Hosttower. Unknown to the group, unleash a primordial and with it, devastation. After years pass after the devastation, Drizzt and Bruenor are still on the search for the ancient dwarven stronghold. However, they may need the help of Jarlaxle and Athrogate to find it.

Criticisms:
1) Time Jumps. This is my major issue with Gauntlgrym, as well as any other book I read. I loathe time jumps. I am not a fan when a story jumps forty some odd years. I would have liked to see some of the adventures that Drizzt, Bruenor, Jessa, and Nanfoodle under took, I do hope that somewhere down the line there will be a short story involving one such adventure. I would have liked to see more of Drizzt and Bruenor failing at finding Gauntlgrym or their brief search for finding Catti-brie and Regis. I would have liked to see this, or even a chapter about some of these things. Now, I wouldn't have an issue if it was two or three years pass. I wouldn't even have that big of an issue with just one time jump. However, Gauntlgrym has two jumps. Two jumps that forcefully progress the story. While the first jump was about fifty years, the second is a more reasonable ten or so. However, this still bothered me. We never really see Dahlia's consequences for her actions she took in Gauntlgrym. We never see how Athrogate is effected, nor Jarlaxle. We do have little snippets, but there is so much more to be said. These jumps just make the story seem as through it was rushed. We have a lot of things happening, but nothing to really show for it aside from a line or two.

Praises:
1) Drizzt. Let me be honest here for a second. It's my opinion that after twenty-sum books, Drizzt Do'Urden has grown a little stale. Don't get me wrong, he still is great, but he never really seemed to undergo a major change that seems to last for an extended amount of time. Sure there were times were he let his savage side take over (The Hunter's Blades Trilogy) and the life changing event that he underwent in The Ghost King. But for the past twenty-two years, he has hardly changed. That being said, Drizzt does undergo a shift in personality, albeit subtle. In fact, I barely noticed any major change until Jarlaxle pointed it out. Before, Drizzt only killed when it was necessary. Now he seems to enjoy it. It's almost like the 'Hunter' in The Hunter's Blades Trilogy, but with more control. It's almost like he's becoming more 'Drow'. It is nice to see that everything that Drizzt went through in his life thus far is finally affecting him. He may seem like the Drizzt we all know and love, but now there seems to be something more, and darker, growing in everyone's favorite drow.
2) Jarlaxle. Jarlaxle really surprised me. I knew that Jarlaxle does have a somewhat noble streak to him, but I am utterly at a loss for words about what he does. Sure, he's still the pragmatic drow that we've known from before, but now there seems to be more to him than what meets the eye. He seems to be more disparate and uncontrolled. The best example is his one on one interactions with Drizzt. To put it simply, Jarlaxle yells at Drizzt for being what he's become. I never would have thought that Jarlaxle would do such a thing. But that's just not all he does. There were other things in the story that I would have never have thought Jarlaxle would do. It was just a nice surprise to see more character depth to Jarlaxle.
3) Forward. I do like where the series seems to be heading. Now it seems like there will be little reminiscing of the past, and the legend of Drizzt is going in a new, exciting direction. I'm just excited to see what happens next.

Side Notes:
1) Valas Hune. It was nice to see one of the my favorite characters from The War of the Spider Queen series make a brief cameo.
2) Barrabus the Grey. I hope this isn't who I think it is. If it is, all I can say is that I'm disappointed.
3) Cover Art. The first thing I noticed about the cover art is that it's bright. It really catches your eye and draws it in. After so many recent Dungeons and Dragons based books having darker coloring, it's nice to see something bright. The action scene between Drizzt and Dahlia is pretty epic looking, although it doesn't happen in the novel. That kind of bothers me. It would have been wonderful to see Drizzt and Dahlia fighting one another. The only major issue I have is that Dahlia looks horrible. She doesn't look the least bit attractive. In fact, her face just doesn't look quite right, almost as though everything is just squished together. However, the cover art is definitely a nice, bright change and I do like it.

Overall: 4/5
Final Thoughts:
Gauntlgrym is good. I wouldn't really expect any less from a Drizzt novel. However, there is one problem that I still can't get over. I hate the time jumps. I absolutely hate it when things are skipped over that could have made an interesting couple of chapters. In fact, I would have rather have had this book as the second in the trilogy. The first book could have been some of the events leading up to Athrogate pulling the lever. Dahlia seemed to need a little more development, and we could have had some time getting to know Jessa and Nanfoodle. That said, the rest of the story was great. It's nice to finally see everything impacting Drizzt and a new, unexpected look at Jarlaxle. I'm really liking where this story is taking Drizzt. So should you pick it up? Yes. Definitely. Even if you're not a fan of Drizzt, it's well worth a read. However, you should have a little prior knowledge before jumping in.

25 of 28 people found the following review helpful.
New beginnings for Drizzt
By DI
The need to write or read a review of any of R.A. Salvatore's Drizzt books is somewhat moot for those who have read the earlier novels. By now, I am sure that anyone who is familiar with the story of the Dark Elf Drizzt will want to continue reading the latest adventures of his life. Overall, the entire saga of Drizzt is amazing, and Gauntlgrym is no less than excellent. The book takes place 100 years after the events of the Ghost King, and while some choose to write a book summery in these reviews, I choose not for two reasons: 1. you can read a plot summery on the cover, and 2. these always lead to just being spoilers of the book (which means they are only useful for those people that have already read the book- thus have already formed their own opinion and have no need for the review).

I will say what I do like about the Drizzt story, in order to entice anyone who has not read any of Salvatore's books to begin reading. That is, if you like fantasy and have tried several authors - they simply use the same formula for each book. That is, "there is some underdog who discovers he is supposed to save the world and somehow beats a dark lord against all odds". There is only one author that successfully pulled that off - and that is Tolkein himself. Therefore, if you are longing for a fantasy novel that is not the old broken storyline that several authors try to revive - look to the legend of Drizzt.

I would suggest not beginning with this novel in the Drizzt saga, however. I suggest going back to the chronologically first novel "Homeland" and read all the books in chronological order. With that being said, if you don't want to take the time to do that, this is the best book to pick up with the life of Drizzt (as he moves into a new chapter in his life). The pitfall of doing this is much of Salvatore's writing successfully attempts to tug at the reader's emotions, and without a historical background of the main character, a new reader in the series will not feel the emotion the author is portraying.

All that being said, this book is a solid read and does not disappoint.

13 of 14 people found the following review helpful.
The past is gone but not forgotten
By Doc
In _Gauntlgrym_, Salvatore has changed his method of writing Forgotten Realms novels. While those in the past have focused on short periods of time in the grand scheme, the story has never had significant breaks. This book has breaks of decades between the intro and Book 1, and another decade between Books 1 and 2. A number of characters have returned, but only those of races possessed of long lives. Bruenor and Drizzt are the only survivors of the famed Companions of the Hall, and they wander the north seeking the ancient Dwarven homeland, but like a classic sitcom, though they seek and seek in the right area and pass it by many times, they never seem to find. Enter some other familiar faces, at times antagonists and other times allies of convenience, sharing the Dwarven and Drow ancestry, and the sitcom parallel is completed. Jarlaxle and Athrogate find the ancient Dwarven homeland and play an unwitting part in releasing a terrible secret at its core.

A number of new characters are introduced, including an elf woman warrior serving Thay, a sorceress vying with her for favor of Thay's master, a tiefling (that is, a half-demon) warlord of Netheril wielding a familiar red sword that leaves trails of ash in its wake, and a gray-skinned assassin in the tiefling's thrall. The assassin and the elf are enemies though they both share their lack of control of their own fates, being essentially enslaved to their various masters.

Drizzt and Bruenor appear less than the others, but are clearly the linchpins with Drizzt's familiar essays opening the different sections of the novel. His behavior, though, is not as reminiscent of the Drizzt of old as the readers might like, with his lost friends always in his heart and battle the only way to avoid their ghosts in his thoughts. Bruenor is aged and it seems at times that only the quest for the ancient city keeps him going, for he is older and has shared those same losses.

Inevitably, all roads lead to the ruined city and combat on a scale not printed since the dark elves assailed Mithril Hall some dozen books past. Divine intervention meets hellish devils, while elementals fight primordials. Truly, Salvatore elevated the degree of combatants beyond the superheroic drow and dwarf characters so well-known by this point.

The story keeps the pages turning. The two thralls carry out their orders, while the two drow/dwarf pairs pursue their own agendas for different reasons. Toss in a lot of undead and Salvatore's characteristic fight scenes, and the book's a winner. However, it's not as much in the vein as the old books in the series, now over two decades since The Crystal Shard, since most of the supporting cast has passed on. They longer-lived are faced with genuine feelings of loss and the reader feels those losses along with the characters, most poignantly early on when they visit Icewind Dale seeking Catti-brie's and Regis' shades in a rumored magical wood (see Realms of the Dead for Savatore's short story that sets this up).

The book has its disappointments in a few places, but it's a solid read. For those new to the series, the issues with antagonists presenting a real challenge to Drizzt won't matter a whit, while for old grognards like me it might niggle a little. I recommend it for all on either side of the fence, it sure kept me engaged from the start. I'm hard-pressed to recall any book that made me cry more than once, but this one gets the highest of marks for doing so. While the next book will be markedly different from any before, it will have to do quite a bit to measure up to this one.

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Minggu, 27 Maret 2011

[X751.Ebook] Download PDF Chasing the Sun, by Juanes

Download PDF Chasing the Sun, by Juanes

Chasing The Sun, By Juanes When writing can alter your life, when writing can enrich you by providing much money, why don't you try it? Are you still extremely baffled of where getting the ideas? Do you still have no suggestion with exactly what you are visiting compose? Currently, you will certainly need reading Chasing The Sun, By Juanes An excellent writer is an excellent user simultaneously. You can define how you compose depending upon just what books to review. This Chasing The Sun, By Juanes can assist you to solve the issue. It can be among the appropriate resources to develop your composing skill.

Chasing the Sun, by Juanes

Chasing the Sun, by Juanes



Chasing the Sun, by Juanes

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Chasing the Sun, by Juanes

“I’m doing what I believe I was brought to this world to do: to create music that raises awareness, renews hearts, and generates change. I’ll continue looking to the stars and traveling the globe as God permits me. And I hope I have many years left to connect through art, to play my guitar, and to continue chasing the sun.”—Juanes

In Chasing the Sun, the international music icon and humanitarian shares the incredible story of his life and how music and faith guided his path. In his own un-adulterated words, and with visually arresting images throughout—some of them never before seen—Juanes imparts his defining moments from childhood to present day, reflecting on his spiritual and musical journey and the personal and professional experiences that shaped the man he is today.

Born and raised in Colombia, Juanes developed his deep love of music from his family and learned to play guitar at an early age. By age sixteen, he became a founding member, lead guitarist, vocalist, and song-writer for Ekhymosis, which went on to become Colombia’s leading hard-rock band. However, it was his career as a solo artist that propelled him toward international superstardom. With great honesty, Juanes reveals how his times of glory were often intersected by times of doubt and soul-searching and how remaining true to his beliefs and passionate about his art gave him the strength and foresight to reinvent himself and his career. While his role as a recording artist is well documented, the very private Juanes has never opened up in his own words—until now.

  • Sales Rank: #1744230 in Books
  • Brand: Alfred Music
  • Published on: 2013-04-02
  • Released on: 2013-04-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x .99" w x 7.60" l, 2.35 pounds
  • Binding: Hardcover
  • 304 pages

Amazon.com Review

Selected Images from Chasing the Sun

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About the Author
Juanes is a Colombian musician who has sold more than fifteen million albums worldwide. He has won multiple Latin Grammy Awards and one Grammy Award. Juanes received the BMI President’s Award at the 2010 BMI Latin Awards. He is also known for his humanitarian work, especially with aid for Colombian victims of antipersonnel mines.

Excerpt. © Reprinted by permission. All rights reserved.

Today, as I write these words, we are just starting rehearsals for our next tour, and the best is yet to come. Rehearsals, as always, involve the beautiful adventure of going back to the beginning. The newest chapters in this book have yet to be written; the various untraveled labyrinths of the mind have yet to be discovered. Meanwhile, as the world continues on and as new experiences arise, there will be more material for this book.

But for now, I just want to outline a few memories from my life, and share them as if I were sitting in my living room among friends.

This is an expression of pure friendship and a sincere way of saying thanks to everyone who has supported my music over the years. I’m sure those are the people who have read up to this point. Others might only read certain sections in order to comment or criticize.

It’s honestly nothing personal—it’s just a fact of life. It’s not my job to write books. Not in the least. Since this idea was first proposed to me, I went through a number of stages. I felt that if I really did this, it would be for you to learn who I truly am, who it is behind the songs you hear at the concerts. Why I make the music I make, and why I think the way I think.

I feel it’s a risk for someone to expose his soul. In other words, after reading this—or at least after seeing it published—some people might not understand what I’m trying to say. Others will read it and connect even more deeply. Let’s just say it’s a risk I’m willing to take, and I’ll do it with love.

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3 of 3 people found the following review helpful.
True to himself
By Bernhard Bauhofer
Publishing memoirs already at the age of 40? Sounds weird? Not if you are Juanes, a multifaceted artist, philanthropist, peace activist, husband and father of three who has made his mark during the last decade. His numerous triumphs, awards and accolades would easily be enough for a couple of lives. "I know I can't change the world but I can change the world in me" - the phrase from one of his songs - signifies Juanes' relentless dedication to personal progress. But by chasing the sun" for himself he has inevitably also influenced the world and the lives of many people on this planet. Despite his huge stardom Juanes has remained true to himself - humble, sensitive and at the same time highly visionary and absolutely fearless. His message is of peace and hope. So much has been written about him that the artist's desire to finally tell his truth can be felt like a liberation and the starting point for a lot more to come. Still, Juanes will continue to listen to his heart. As a contemporary document "Chasing the sun" illustrates that global stardom can take its begin in Colombia - or anywhere in the world. But not without a "one in a million"-talent, an unbreakable will and the support from a loving family - to whom Juanes justly dedicates his book.

1 of 1 people found the following review helpful.
Absolutely Delightful!
By Milly
I was fortunate to receive Juanes's new book on Kindle the first evening it was out,I sat up all night and read it in one sitting. I could not put it down. I must admit, I am a big Juanes fan and have been for years but I have to admit this book stood on its own merit. It was not only delightful, it was heartwarming, funny, charming, honest, painfully for him in places and truly from the heart.
I learned so many things about Juanes and his family. He is a remarkable human being in so many ways. Treat yourself to a good read. It is worth every penny.

1 of 1 people found the following review helpful.
... Honesty & Sincerity ...
By Amazon Customer
.... much admired & dear artist reveals his soul ... in a very human & simple way ... a person who has reached celebrity status still remains rooted to his humble & disciplined origins ... a true example of enduring ahievements thru deep sacrifice & diligent effort.
... lightly narrated & beautifully illustrated by amazing pictures ... a Colombian trademark ... who makes us all "paisas" proud to follow and love him & his projects .

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Kamis, 24 Maret 2011

[R724.Ebook] Ebook Download Getting Unstuck [Audiobook] Publisher: Sounds True, Incorporated, by Pema Chodron

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Pema Chodron offers some sound, beautiful ideas on how to cope with not only addictive behavior, but basically anything in life that you just plain don't like. Her lovely, grounded voice is a pleasure to listen to. Pema Chödrön is an American bhikshuni, or Buddhist nun in the Tibetan Vajrayana tradition. Since her ordination in 1974, Pema has conducted workshops, seminars, and meditation retreats in Europe, Australia, and throughout North America. She is the director of Gampo Abbey, the first Tibetan Buddhist monastery in North America. Pema Chödrön is also an acharya (master teacher) in the lineage of Chögyam Trungpa, Rinpoche.

  • Sales Rank: #2244398 in Books
  • Published on: 2006
  • Number of items: 2
  • Binding: Audio CD

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0 of 3 people found the following review helpful.
Don't think I received the complete set of discs. ...
By Lynne
Don't think I received the complete set of discs. They were from an old library set which looked very used. Although the information was still good

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Sabtu, 19 Maret 2011

[I316.Ebook] Ebook Download Women Without Husbands: An Exploration of the Margins of Marriage, by Joan Chandler

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Women Without Husbands: An Exploration of the Margins of Marriage, by Joan Chandler

  • Sales Rank: #15392784 in Books
  • Published on: 1991-08
  • Original language: English
  • Number of items: 1
  • Dimensions: .64" h x 5.73" w x 8.79" l,
  • Binding: Hardcover
  • 188 pages

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Van Gogh on Demand: China and the Readymade, by Winnie Wong

In a manufacturing metropolis in south China lies Dafen, an urban village that famously houses thousands of workers who paint van Goghs, Da Vincis, Warhols, and other Western masterpieces for the world market, producing an astonishing five million paintings a year. To write about work and life in Dafen, Winnie Wong infiltrated this world, first investigating the work of conceptual artists who made projects there; then working as a dealer; apprenticing as a painter; surveying wholesalers and retailers in Europe, East Asia and North America; establishing relationships with local leaders; and organizing a conceptual art exhibition for the Shanghai World Expo. The result is Van Gogh on Demand, a fascinating book about a little-known aspect of the global art world—one that sheds surprising light on the workings of art, artists, and individual genius. Confronting big questions about the definition of art, the ownership of an image, and the meaning of originality and imitation, Wong describes an art world in which idealistic migrant workers, lofty propaganda makers, savvy dealers, and international artists make up a global supply chain of art and creativity. She examines how Berlin-based conceptual artist Christian Jankowski, who collaborated with Dafen’s painters to reimagine the Dafen Art Museum, unwittingly appropriated the work of a Hong Kong-based photographer Michael Wolf. She recounts how Liu Ding, a Beijing-based conceptual artist, asked Dafen “assembly-line” painters to perform at the Guangzhou Triennial, neatly styling himself into a Dafen boss. Taking the Shenzhen-based photojournalist Yu Haibo’s award-winning photograph from the Amsterdam's World Press Photo organization, she finds and meets the Dafen painter pictured in it and traces his paintings back to an unlikely place in Amsterdam. Through such cases, Wong shows how Dafen’s painters force us to reexamine our preconceptions about creativity, and the role of Chinese workers in redefining global art. Providing a valuable account of art practices in an ascendant China, Van Gogh on Demand is a rich and detailed look at the implications of a world that can offer countless copies of everything that has ever been called “art.”

  • Sales Rank: #4183230 in Books
  • Published on: 2014-03-24
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .90" w x 7.00" l, .0 pounds
  • Binding: Hardcover
  • 320 pages

Review
“Van Gogh on Demand shines. . . . [A]  fantastically detailed exploration of a topic which touches the heart of many of the issues surrounding China's economic rise.” (South China Morning Post)

"An impressive investigation." (Fine Art Connoiseur)

“One of the most intriguing reads of the year. . . . “[Wong] has done extensive research and taken the conversation beyond the stereotypes being peddled in the media and even in some contemporary art projects.”  (Hyperallergic)

“A penetrating analysis of how the artistic theories of the Duchampian ready-made and their successors in conceptual art practice outside China can be applied to illuminate the history of these Chinese production processes which reciprocally bring the notion of ready-made into focus. . . . An important and valuable book, the first on a long-neglected subject.”
(China Information)

“A fascinating blend of ethnography and art history.”
(Art Practical)

“Based on a thoughtful reading of modern and contemporary art theory, lengthy fieldwork, and practical artistic and curatorial engagement with the world of Dafen artists, Van Gogh on Demand addresses some of the most demanding—and not easily resolved—issues of culture and production. Wong skillfully untangles the complicated skein of interconnections between the realms of traditional practice, contemporary Chinese art, mass-scale production, copying, and art circulation in the global marketplace. Compelling, fluent, and highly quotable, this book is a major contribution to the study of China, modernism, postmodernism, and globalization.” (Geremie Barme, Australian National University)

“Vividly describing a place that is amazing to learn about and fascinating as a story, Van Gogh on Demand is so engagingly written that we are drawn from chapter to chapter in a state of increasing interest that often turns to excitement. Wong tells us much not only about the highly specific kind of artistic production that prevails at Dafen, but also about the international art world and the role of Dafen in the kind of contemporary modernity that China is striving to construct. The convergence of these different worlds is thoroughly and brilliantly shown to throw a fresh light on postmodern appropriation, quotation, and irony. These insights make this book both a persuasive piece of participant observation cultural anthropology and an original instance of contemporary art historical writing.” (Terry Smith, University of Pittsburgh)

About the Author
Winnie Won Yin Wong is assistant professor of rhetoric and history of art at the University of California, Berkeley.

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14 of 15 people found the following review helpful.
Humor, philosophy, anecdotes - and the difficulty of scholarly prose
By Amazon Customer
Background: for last Christmas, I bought my 4-year-old grandson a "hand-painted van Gogh," Harvest at La Crau, with Montmajour in the Background. The original is 72 x 92cm; Ben's copy is 8x10 in. His pre-school teacher had presented several weeks on painting (you have to assume there were no details on a biography unsuited to pre-school), and Ben for whatever reason responded fervently to van Gogh. I wanted him to see the dimension of paint on canvas and I received two gifts from him -- he immediately ran his fingers over the impasto surface, again and again; then he asked that the picture be hung, right then, in his bedroom.

Ben's copy came from China, probably from Dafen Village, which is the setting of Ms. Wong's treatise. That's the setting: the *subject* would have to be summarized as "Challenge everything you ever assumed about art, the artist, creativity, originality, Chinese social structure and politics, and WalMart."

When I ordered the book, five months before it got far enough into production to reach my door, I wanted a popular explication of how (possibly) thousands of painters produce many tens of thousands per year of van Goghs, Utrillos, da Vincis, Bougereaus... well, virtually any famous artist you want to name.

What I got instead is a mix: insightful anecdotes from conversations with painters and bosses; compelling discussions of painting factory methods and organization (many exploitative, some humanistic, avuncular); massive tugs at assumptions around originality; and, frankly, boring excursions into angels-on-the-head-of-a-pin types of things.

Anecdotes? While watching one, er, artist (re-)producing one of van Gogh's sunflower paintings, the artist stood back toward the end, then said, "Time to sign it." Ms. Wong pointed out that van Gogh had not signed the original. The artist: "Oh. You own one?"

Sort-of an anecdote: Ms. Wong quotes from the marketing copy of a van Gogh reproduction sold by Amserdam's van Gogh Museum: "It seemed a dream, but this replica makes it possible: a painting [in reality an inkjet - glicee - print] by Vincent van Gogh on the living room wall, and almost indistinguishable from the real thing... This amazing reproduction is delivered rolled-up, affordable and safe, just as van Gogh sent his own canvases to Paris."

Anecdote: A Dafen van Gogh artist who, chafing under the low wages, exclaimed that he was not making much more than van Gogh did.

Anecdote: Always open about her objective to study Dafen for scholarly purpose, Ms. Wong was interviewing one artist, who pointed out that he was also an "excellent and prolific writer." "...since he had been in Dafen far longer than I, it would be much easier for him to write my dissertation for me.... In the hands of Dafen painters and bosses [and writers], it [ghost-painting, ghost-writing] is a habitual and ubiquitous phenomenon, and recalls a condition in which painting and writing do not constitute any sort of special labor...."

One commentator on the Dafen scene wrote, "I realized that most of Dafen painters remained kind of detached and regarded painting more as a labor job." Of course, for hundreds, maybe even thousands of Europeans artists prior to the Romantic age, painting *was* a "labor job," and not a sort of special labor.

Throughout you'll all sorts of tweaks, all sorts of unanswered and possibly unanswerable questions. For the most part, this book is a sort of high-level page-turner. All this said, however, there are times that I wish a competent copy editor had made some suggestions -- and that Ms. Wong had complied. Take that last sentence in my final anecdote above: could it not be expressed less syllabically: "In the hands of Dafen painters and bosses [and writers], it [ghost-painting, ghost-writing] is ubiquitous. For them, there is no special labor in painting and writing."

Scholarly language aside, what happens when -- the very thing we conceptualize as golden fruit of glorious individual vision -- Art becomes a mass-produced object on an assembly line? Is it automatically schlock?

Ben's little van Gogh is all master strokes done by a master hand with crystal-clear colors. It is, as Ben immediately saw, equally beautiful to both the eye and the hand.

0 of 0 people found the following review helpful.
Four Stars
By G C
Pretty interesting book.

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Senin, 07 Maret 2011

[T831.Ebook] Download PDF Ethical Questions In Dentistry, by James T. Rule, Robert M. Veatch

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Ethical Questions In Dentistry, by James T. Rule, Robert M. Veatch

Updated to reflect the current ethical climate, this book presents clinical practice cases in which arguments can be made for differing courses of action or in which the obligations of the professional are in conflict; the reader is asked to determine the ethically correct response to such conflicts. In this revised edition, detailed background material has been added to many of the cases to foster more well-reasoned ethical decision making. In addition, cases on sexual harassment and advertising have been introduced, and those on financial and HIV issues have been updated. An entirely new chapter on the structure and obligations of the various professions has been added. This book will continue to be of value to members of the dental profession and is now better suited to the needs of ethics courses for dental students.




Contents

Part I: Ethical Questions: Theory and Principles
   1. An Overview of Ethics in Dentistry

   2. The Structure of Professions and the Responsibilities of Professionals

   3. Basic Ethical Theory

   4. Ethical Principles

   5. Format for Resolving Ethical Questions


Part II: General Principles in Dental Ethics

   6. Doing Good and Avoiding Harm

   7. Fidelity: Obligations of Trust and Confidentiality

   8. Autonomy and Informed Consent

   9. Dealing Honestly with Patients

   10. Justice in Dentistry


Part III: Case Studies of Special Problems

   11. Ethical Concerns in Schools of Dentistry

   12. Ethical Issues in Third-Party Financing

   13. Ethical Issues Involving HIV and Other Bloodborne Diseases

   14. Incompetent, Dishonest, and Impaired Professionals


Appendix 1: Codes of Medical Ethics

Appendix 2: Informed Consent

Glossary

Index

  • Sales Rank: #986053 in Books
  • Published on: 2004-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 8.00" w x .75" l, 1.82 pounds
  • Binding: Paperback
  • 340 pages

Review
This is a very good overview of ethics in dentistry, with a strong emphasis of the philosophical basis for ethical decision making and practical examples for doing so. Because it makes a somewhat esoteric issue informative and interesting, it is recommended for all practitioners at whatever stage in clinical practice they might be. --Michael R. Breault, DDS, - The New York State Dental Journal, January 2005

This book is essential reading for all dentists who practice dentistry. Although not related directly to technical aspects of clinical dentistry, it enlightens the reader on what thinking must accompany the rendering of appropriate dental care, namely the issues relating to practising dentistry ethically... --Rollin Matsui, BSc, DDS, - Alpha Omega Book Review

"...The 88 cases discussed throw up a lot of questions but this is deliberately intended to make the reader think very carefully about the consequences of their actions and inactions. Dentistry is not just about repairing the contents of the human mouth, it is also about dealing with human beings who demand and are entitled to the respect afforded by such essentials as informed consent and autonomous choice. Although the cases involve a degree of philosophical, sometimes theoretical, debate in terms of Hippocratic responsibility on the part of the dentist to the patient, there are also many instances of substantial pragmatic concern to all dentists, such as the cases of HIV-infected patients. A fascinating and mind-expanding read."

Reviewed by Roger Farbey

BDAnews, Vol 17, No 12

December 2004


"...The book remains a most accessible contribution to the professional literature on dental ethics...


Each case study is followed by concise discussion and analysis of the ethical considerations involved and, where appropriate, guidance is offered. Often though, the discussion highlights the key questions requiring the practitioner's judgment. This is valuable, since ultimately each practitioner is responsible for ensuring that their own value system and practice methodologies reflect an ethical perspective which marks them as "professional". A book which sought to deliver pre-packaged answers to all ethical dilemmas would miss the point. Thankfully, this book doesn't." --Garry Pearson, ADAVB Newsletter, March 2005

Most helpful customer reviews

1 of 1 people found the following review helpful.
A needed text for modern dentistry
By Steven Stallings
As more of professional dentistry becomes viewed as a service and less of a profession, all levels of dentists need to step back and look at what they are doing daily and how it relates to their patients. A well written text with thought provoking examples, it gives one a chance to pause and think and answer questions they may have seen or may see in their practices in the future.

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