Rabu, 24 Februari 2010

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The Art of Seamanship: Evolving Skills, Exploring Oceans, and Handling Wind, Waves, and Weather

  • Published on: 1800
  • Binding: Hardcover

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Selasa, 23 Februari 2010

[N687.Ebook] Download PDF Operation Thunderbolt: Flight 139 and the Raid on Entebbe Airport, the Most Audacious Hostage Rescue Mission in History, by Saul David

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Operation Thunderbolt: Flight 139 and the Raid on Entebbe Airport, the Most Audacious Hostage Rescue Mission in History, by Saul David

The definitive account of one of the greatest Special Forces missions ever, the Raid of Entebbe, by acclaimed military historian Saul David.
On June 27, 1976, an Air France flight from Tel Aviv to Paris was hijacked by a group of Arab and German terrorists who demanded the release of 53 terrorists. The plane was forced to divert to Entebbe, in Uganda--ruled by the murderous despot Idi Amin, who had no interest in intervening.
Days later, Israeli commandos disguised as Ugandan soldiers assaulted the airport terminal, killed all the terrorists, and rescued all the hostages but three who were killed in the crossfire. The assault force suffered just one fatality: its commander, Yoni Netanyahu (brother of Israel's current Prime Minister.) Three of the country's greatest leaders: Ehud Barak, Shimon Peres and Yitzhak Rabin planned and pulled off one of the most astonishing military operations in history.

  • Sales Rank: #39875 in Books
  • Published on: 2015-12-01
  • Released on: 2015-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.63" h x 1.50" w x 6.25" l, .0 pounds
  • Binding: Hardcover
  • 464 pages

Review
USA Today "New and Noteworthy"
Vanity Fair "Hot Type" pick
"Book of the Year": The Spectator Magazine, BBC History Magazine, The Mail on Sunday
"Best History Books of 2015": Amazon UK


"What will most likely be the definitive work on the subject.... This is the achievement of a masterly, first-rate historian."―Alan Furst, New York Times Book Review

"Saul David has nimbly woven a breathless romp across Europe, the Middle East and Africa...a suspenseful read. 3.5 stars out of 4."
―USA Today


This gripping tale has already been told in numerous books, feature films and documentaries...But David's version, which cuts back and forth between the key players and reads like a film script, should prove definitive."
―The Boston Globe

"Thrilling....Dozens of books and movies have tried to capture the menace and the romance of the operation....In Operation Thunderbolt, British historian Saul David relies on extensive interviews with the captors, kidnapped and rescuers to retell the story in a tick-tock trek from Tel Aviv bunkers to the airport in Entebbe. The effect is heart-racing."
―Jordan Handler Hirsch, Wall Street Journal

"He brings thrilling detail to one of the most dramatic rescue missions in recent history--and highlights the key roles played by Israeli leaders Ehud Barak, Shimon Peres and Yitzhak Rabin."―Jane Ciabattari, BBC.com

"[The story] has been told many times on page and screen. But never better than British historian Saul David does in this meticulously researched, vivid account. He has a knack for making the reader feel he is right there."
―Martin Rubin, Washington Times

"This book is an enthralling, minute-by-minute retelling of the hijack and the dramatic rescue using new sources and material."―Max Hastings, author of Inferno

"David, who has authored a number of books on wars in the 19th and 20th centuries, brings his excellent skill as a professor of war studies at the University of Buckingham to this story.... Operation Thunderbolt is written in an informed and colorful fast-paced way."
―Jerusalem Post


"Totally thrilling, totally poignant. Bringing the greatest special forces operation of modern times blazingly to life, David's book, full of new revelations, written with the excitement of an action movie, the authority of a historian, is great drama, superb storytelling--and yet tells us much about the Middle East today."―Simon Sebag Montefiore, author of Jerusalem

"David paces the narrative effectively, cutting back and forth among Entebbe, Tel Aviv, and Israeli military establishments with occasional looks at events in other world capitals. With high tension and as many plot twists as any fictional thriller, this book is hard to put down."―Kirkus

"An excellent account of the planning and execution of a successful high-risk operation."―Publishers Weekly

"David, author of numerous military histories such as Churchill's Sacrifice of the Highland Division, provides a minute-by-minute account of the entire event, focusing on the political maneuvering and the purely military operation, in excruciating detail...A definitive history of the Entebbe operation, likely to be popular among readers of military and terrorism works."―Library Journal

"Will introduce a new generation to an extraordinary story...Brilliantly told."―Jewish Chronicle

"A brilliant, breathless account that reads like the plot of an action movie, switching between events in parts of the world as the drama unfolds... David's book is a good reminder that our own War on Terror has deep roots."―The Sunday Telegraph


"It's a brilliantly orchestrated book, wonderfully rich in detail, but at the same time roaring along at a heart-thumping pace... I embarked on this book as someone not particularly interested in the Middle East, or in adventure tales of soldiers in action; I finished it in a state of high tension, buzzing through the pages in the need to know what happened next."―Mail On Sunday


"For the first time in my reading life I felt physically thrilled by a book... Wonderful."―Literary Review


"In 1976, Palestinian Arabs from a splinter group of the Popular Front for the Liberation of Palestine (PFLP) and German far leftists from the Revolutionare Zellen hijacked an Air France Airbus with nearly 250 passengers on a flight from Athens to Paris... At the time this remarkable ation enthralled people the world over and the military historian, Saul David, now tells the story once more in a well-researched and highly readable account."
―Times Literary Supplement


"Almost indecently exciting."
―Craig Brown, The Mail on Sunday


"In Operation Thunderbolt: Flight 139 and the Raid on Entebbe, acclaimed military historian Saul David provides readers with a definitive account of what he calls one of the greatest Special Forces mission ever. The Entebbe story presented on the pages of this book reads almost like a thriller. Tension builds minute by minute with a narrative told from many angles - the hostages, the soldiers, the politicians, and even the terrorists themselves."―Ellis Shuman, The Times of Israel

About the Author
Saul David is a military historian and broadcaster. He is the author of The Indian Mutiny, which was shortlisted for the Duke of Westminster's Medal for Military Literature, Military Blunders, Zulu: the Heroism and Tragedy of the Zulu War of 1879 (a Waterstone's Military History Book of the Year) and Victoria's Wars.

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22 of 24 people found the following review helpful.
Brutality, fear, terror, barbarism from the first page to the last. Heroics too, of course.
By Charles A. Krohn
Do I have your attention? The headline is only half as shocking as the real story. I found myself in the same high-jacked Air France plane, in the same old airport at Entebbe as the hostages, virtually making me believe I was there as the horrible events unfolded. I read a great deal, but this is the first time I ever felt part of the action, wondering what would happen next, expecting to be killed because all the hostages were separated into two groups--Jews and others. When they were rescued, I was rescued.

I was at first reluctant to take this book home from the library, because I remember the basic outline. Yet, it was a total surprise, mostly because of the attention to detail, especially the machinations of the Israeli government that agreed to the terrorist demands at first, then realizing a military solution might be possible after all. The outcome was always uncertain and the risks very high. This book is a minute-by-minute account. It gripped me from the first page and didn't let go until I was exhausted emotionally and, in a way, physically.

It is the best book I've read in a long time. If the Bible is ever amended, this tale will be told again without embellishment

8 of 8 people found the following review helpful.
Don’t miss this compelling account that reads like a political thriller yet tells a true story
By Bookreporter
Shimon Peres and Yitzhak Rabin are names many know today only for their leadership in the State of Israel. Each man served terms as Prime Minister, as well as in the Israeli military and various political positions. But in 1976, they faced a terrifying emergency: the hijacking of Air France Flight 139 by Arab and German terrorists, who demanded the release of imprisoned terrorists in exchange for the safe return of the plane’s passengers and crew.

Air travel in 1976 was dramatically different from what it is today. Security, while present, varied in effectiveness from country to country. In Greece it was notoriously slack, while in Israel it was the strictest in the entire world. During this era, hijackings were much more common, reaching a height of 82 in the single year of 1969. These hijackings were often focused on the takeovers of Israeli airplanes by pro-Palestinian terror groups, following Israel’s defeat of Jordan, Syria and Egypt in the Six-Day War. In response, Israel tightened its airport security and became the safest country in the world to fly from, with thorough examinations of every single passenger (and accompanying baggage) boarding flights departing Israel.

On June 27, 1976, over 200 passengers boarded Air France Flight 139 at Israel’s Ben Gurion International Airport. Many were alarmed to learn upon check-in that the plane would be making an unplanned stop in Athens, Greece; one child on the flight, Olivier Cojot, remarked to his father, “Hey Dad, if I were a terrorist I would get on at the stopover.” Ellinikon International Airport was known, apparently even to children, as the easiest place for a terrorist to board a plane, along with weapons. Several of the passengers attempted to change to El Al flights in response to this, yet were unable to secure seats elsewhere.

Flight 139 took off on a beautiful sunny morning and headed without incident to Athens, where 38 passengers left the plane and 56 boarded it. Unknown to the plane’s crew and Ellinikon’s security, among the travelers were four PLFP (Popular Front for the Liberation of Palestine) hijackers. (It must be noted that the metal detector for all actually entering the terminal from Athens was quite effective on that day, yet scrutiny of those transferring from one plane to another was barely monitored, as they were assumed to have been examined already.)

The four, along with their large bags of arms, were transferring from a Bahrain flight. Two Germans and two Arabs, members of the PLFP (which was known as a particularly dangerous segment of the Palestine Liberation Organization, as well as the originator of hijackings of Israeli planes), took control of Flight 139 only eight minutes after takeoff. They further secured control by separating the mothers and children from the men, placing them in first class while the rest were left in the economy section. And now, the plane changed course from a Paris route to Benghazi, Libya, a safe place for Palestinian terrorists. Eventually, Flight 139 would head to Entebbe, Uganda, where President Idi Amin actually colluded with the hijackers by providing food, an old airport terminal to house the passengers, and additional Ugandan soldiers for guard duty.

Back in Israel, Prime Minister Yitzhak Rabin held his regular mid-week meeting with his Cabinet members, when he was handed a note informing him of the Air France hijacking. Having recently experienced the disaster with Palestinian terrorists’ hostage-taking of the Ma’alot elementary school (in which Israeli soldiers attempted to take over the school, yet the terrorists killed dozens of schoolchildren), Rabin was hesitant to plan a military rescue. His feeling was that no Jew should die when a peaceful option was possible. Yet his Minister of Defense, Shimon Peres, believed that Israel must not give in to blackmail; if they met the terrorists’ demands, then any terrorist anywhere would believe that Israel would give in.

Nevertheless, the greatest Israeli rescue mission --- which would become known as Operation Thunderbolt --- would soon be planned. When the demands became known (the release of 53 imprisoned fellow terrorists), members of Israeli Special Forces (including Benjamin Netanyahu’s older brother, Yoni) developed a plan of attack. Would the hostages be rescued in time before the deadline set by the terrorists?

Saul David has crafted a meticulously researched account of Operation Thunderbolt. With interviews included from members of the Special Forces team, passengers and the terrorists themselves, readers will feel that they are on the sidelines watching one of the most momentous rescues in the history of the State of Israel. Don’t miss this compelling account that reads like a political thriller yet tells a true story.

Reviewed by Melanie Reynolds

5 of 5 people found the following review helpful.
Pamwe Chete
By Keith A. Comess
In military annals, few countries have achieved as many accomplishments in special warfare and intelligence-craft as has Israel. The Israelis have pulled off some stunning coups in the few decades of its existence and - of those - few have garnered more attention than the 1976 Entebbe hostage rescue. Saul David's "Operation Thunderbolt" is a compelling recounting of the event, adding considerable details of planning and execution to the existing record.

As is universally known, Israel has been locked in struggle with its numerous adversaries since the May, 1948 declaration of statehood. Of course, hostilities long preceded that event, but the nascent Israel Defense Forces (IDF) were able to preserve the state. The 1949 armistice lines de facto established its borders for many years. In 1964, disorganized and disparate irregular warfare groups were gathered under the aegis of the Palestine Liberation Organization (PLO), this in an effort to improve military prospects against the highly accomplished IDF.

The PLO and various splinter factions eventually recognized that isolated armed action was only a component of a successful campaign: novelty and publicity were needed. To achieve that end, airline hijacking became a favored tactic in service of the larger goal of "defeating" Israel (however that may be defined). One sub-splinter group acting under the authority of Wadie Hadad acted in concert with a German extremist faction, the "Revolutionary Cells" and together, members of both groups hijacked an Air France jet and eventually landed it in Entebbe, Uganda. On the ground, they were warmly received by Idi Amin Dada, "Field Marshall" and state leader who actively collaborated in the affair from its inception.

Confronted with a determined terrorist group sheltered and abetted in a distant, hostile country, the Israelis reacted to the threatened murder of a significant subset of passengers (namely, the Jewish/Israeli component plus the air crew) by planning negotiations for a hostage exchange: there was no other reasonable option. Yet, almost alone, Defense Minister Shimon Peres thought otherwise. Peres, even though not a professional soldier, advocated strongly for military action. He did this against the concerted, hostile opposition of Prime Minister Rabin, a man with military background. The conflicts between these two men, played out over the very short timeline until the hijackers' ultimatum expired, comprises a significant portion of David's book.

Elements of the IDF, devised several plans. These were vetted and abandoned for various reasons, all carefully explained in "Thunderbolt". Only one option seemed reasonable: a flight of transport planes carrying a small number of commandos would attack the Old Terminal at Entebbe in a surprise raid. Fortunately, much intelligence on the Entebbe airport was available to the Israelis. Idi Amin was a former Israeli ally, one who proudly wore IAF paratrooper wings, despite not having earned them. Old architectural plans for the Israeli-built terminal were updated with current intelligence as conveyed by released hostages and limited air photography. Based on limited data and Peres' relentless advocacy, the Israeli cabinet approved the operation. As is well known, it was a success: two hostages died (at least one by "friendly fire") and one commando was killed (Yoni Netanyahu, brother of the current Israeli Prime Minister).

The book reads quickly, especially the operational sections. It is well supplemented with maps and attack plans. The logistical, intelligence, planning and deliberative details are all clearly and compellingly explained.

The major shortcoming of the book is the extensive "imagined dialogue". For example, Yoni Netanyahu's interior monologue added the too detailed recitation of trivial recollections and irrelevant stories from inconsequential captives detract from the main story. The concluding chapter contains interesting interview information from a surviving member of the Revolutionary Cells and provides contextual detail on the collaboration. A particularly interesting section on the disillusionment of many German extreme leftists (extracted from Paul Berman's book) with the entire "anti-Zionist" enterprise.

Of course, the struggle goes on. The anti-Israeli terrorism palette no longer includes airline hijackings and the terrorists are no longer secular Marxist-Leninists. Nowadays, they are Islamists and generally disregard whatever moral constraints their predecessors exercised with respect to civilian mass casualties. Nonetheless, and as David notes, the Entebbe raid set a paradigm most countries attempt to follow: special forces raids to free hostages, destroy terrorist targets and deter by that tactic. Whether or not that approach works as part of a larger strategy is debatable, and it's not part of this book. The reference standard remains the Israeli approach and, as might be said in the Shona dialect, "Pamwe Chete": all together, at least as pertains to Western special forces and terrorists and Israel commandos lead the way.

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Jumat, 19 Februari 2010

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"If you don't believe your whole life has been a path leading to this one point, you're not focused enough."
The Athanate are on the brink of war.

Amber has to search for Diana in the forbidden zone of New Mexico, for the good of the paranormal world and her own sanity. Every step she takes is another opportunity to precipitate more conflict. Every easy choice is denied her and she must work without the support of the powerful paranormal factions in Colorado. When she most needs help, she has nothing.

But sometimes, nothing can be a real cool hand.

  • Sales Rank: #127269 in eBooks
  • Published on: 2015-03-05
  • Released on: 2015-03-05
  • Format: Kindle eBook

Review
Charles de Lint, in a review of the series for Fantasy & Science Fiction:
"They represent some of the best the field has to offer."

About the Author
Mark Henwick was born in Africa and left out in the sun too often. 

An early interest in philosophy and psychology was adequately exorcised by tending bars. And while trying to enroll in a class to read Science Fiction full time, he ended up taking an engineering degree which splendidly qualified him to move into marketing. That in turn spawned a late onset career in creative writing.
When not working, he gets high by the slightly less conventional means of a small light aircraft, or down and dirty on a mountain bike.

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10 of 10 people found the following review helpful.
Action Action and ... more Action?
By Gallandro
Amber returns to shake up the world.

Amber and company have just come off their most important battles, House Farrell and Pack Deauville have reached detente with the counterparts in Denver. The Matlal have been contained; Nagas are on the run, the Confederation has been sent packing, and Nobel the rogue has been revealed and killed. The time has finally come for Amber to deal with her own problems. If only it could be that easy... for every problem that Amber deals with it seems two come up in their place.

Diana her chosen Athanate mentor has still not returned to Denver. The FBI still wants to know how Amber fits into the puzzle that surrounds her. Olivia is getting closer to her time of change and Amber still does not have any idea how to help her change to wolf. Her relationship with her sister is broken and her family has never been farther from her. In addition her were and athanate natures are starting to overwhelm her and she's worried that they will start to push her to rogue behavior.

In the midst of all this we come in on Amber finding herself sidelined by the commitments she has ended up binding herself to with her allies. Yet her instincts are telling her that she needs to be in New Mexico. The Confederation has been spotted there, Diana was last seen in the area and House Romero that was allied with Matlal is silent. In addition she must discharge her duty and find the kin of Larry Dixon and rescue them if she can.

||~~||~~||~~||~~||~~||~~||~~||

I really enjoyed the story but found it a little too action packed.

The characters are not really getting any down time and because we are bouncing crisis to crisis we still are in the dark about just how everything in the world works. In addition the effects from what has already happened in the story may not have reached the entire hidden world. I realize that this is fiction but so much has happened and we haven't seen the full reactions of the world. This means that in my mind we need the time so everyone allies and enemies can come together before anything else can conceivably happen; because I can't see so many of these long lived beings ready to improvise more and more in such a changed world. I was also really hoping that more information about the world would be passed on as we see Amber build her own house and Pack.

The ending was well integrated and showed that no matter what happens the story is moving forward. I wouldn't be surprised if echoes of that event become more significant as the series goes on. So many threads are finished or move on that I wouldn't be surprised if events in the background could or did occur. In many ways this book ended the first part of the series Amber has now entered the hidden world and now must assert her role and work for Emergence.

That being said I am upset how Amber's crisis was left. It's been hanging over her head for the last few books and while interesting in my opinion it doesn't add much to the story. Having her "working toward equilibrium" and making it less fatal would have left the stories just about the same at this point. It sound as if it might be resolved quickly for the next novel which I look forward to because she only has a couple of days to meet the FBI.

Here's hoping that the books keep coming ASAP because I know that I'm hooked and can't wait for the next one.

6 of 6 people found the following review helpful.
SHOCKINGLY WONDERFUL!!! Top book of 2015!
By Leiah
It's particularly hard to take being stabbed in the back close to home. There's always a feeling of betrayal when people of your own group oppose you. - Catharine MacKinnon

Nearly all men can stand adversity, but if you want to test a man's character, give him power. - Abraham Lincoln

The most powerful weapon on earth is the human soul on fire. - Ferdinand Foch

Amber Farrell knows everything about betrayal. Betrayal by the US Government, friends, coworkers. Betrayed in every way she ever thought possible – and some ways no one could have ever imagined. As a hybrid of Athanate, Werewolf and Adept, life is a complete misery. Athanates don’t trust her wolf side, wolves don’t trust her Athanate. And the Adept – well, they just want her dead.

War is coming, the first shots have been fired, and without her mentor, Diana, Amber may be going rogue. So, in a desperate bid to salvage her sanity Amber and Tullah make a desperate bid to find Diana by entering the forbidden territory of New Mexico. Now, they are trapped in plots within plots as enemies are revealed as friends, friends as enemies, and death.

"You tread a difficult path, Amber, where every way bears death and sorrow and pain and loss"

As the story continues to wind tighter and tighter, and war becomes inevitable, Amber and her kin, her friends, and even her enemies, walk the razors edge – the edge of death, sorrow, pain and loss – and the brutal fires of a world war between humans, Athenate, were, and adept.
Mark has outdone himself this time. His books have continuously gotten better, but this edition is beyond amazing. If you haven’t read the series, I can’t recommend it highly enough. But this one? This one is the best I have read this year. The hard part? Now I have to wait for the next one!

Sigh. Write faster, Mark!!

Highly, highly recommended!

4 of 4 people found the following review helpful.
Not the best of the series, but not the worst
By Lost in Denver
I really wanted to like this story more than I actually did. The overall pacing was really good and we met a really interesting cast of characters. Amber continues to impress with her depth as a protagonist. Unfortunately, the normal cast of secondary characters was kind of wasted in this effort. And after a really good build up to what promised to be an exciting confrontation, the author ran into the same problem that he did in the second book . . . politics broke out. Much like in "Hidden Trump," the author squashed any real sense of urgency toward the end by having a protracted political debate break out that drug on for far too long. It was like watching Die Hard for 90 minutes, and then switching over to C-SPAN. At least in "Cool Hand," our protagonist actually did have a hand in the finale whereas in "Hidden Trump," she was almost entirely a spectator at the end.

I still really like the series overall. I want to see Amber's personal relationships develop (particularly with Jen, who is considerably more interesting than Amber's werewolf paramour), and it'll be interesting to see how (it at all) Amber's familial relationships are repaired. I would like for the story to at some point move beyond the endless politicking, because the politics slows everything down at inopportune moments.

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Selasa, 09 Februari 2010

[F917.Ebook] Free PDF 101 Best Family Card Games by Sheinwold, Alfred (1993)From Sterling

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101 Best Family Card Games by Sheinwold, Alfred (1993)From Sterling

Will be shipped from US. Brand new copy.

  • Published on: 1993-01-15
  • Binding: Paperback

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[G625.Ebook] Free PDF The God Like Power Series, by Martin K. Ettington

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The God Like Power Series, by Martin K. Ettington

Have you ever wondered what real spiritual powers and abilities exist? In these books the history of individual abilities is provided, stories of these abilities in action, then research to understand how they may work. Finally, exercises are given for you to learn them for yourself. This Volume includes: •Human Invisibility •Invulnerability and Shielding •Teleportation •Psychokinesis •Our Energy Body, Auras, and Thoughtforms Each book has the same page numbering, Table of Contents, and Index as it had when it was a standalone ebook.

  • Sales Rank: #10837983 in Books
  • Published on: 2012-03-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .64" w x 8.50" l, 1.40 pounds
  • Binding: Paperback
  • 272 pages

About the Author
Martin’s interest in the Paranormal and Occult goes back to his childhood. He has had many paranormal experiences and has been a student of Eastern Philosophies and Meditation for 40 years. Seeking Enlightenment; he knows that we are already all Enlightened. We just have to realize this deeply. His books are expressions of his creativity to help others understand what he has internalized through study, experience, and membership in different societies. The videos on this site are an outgrowth of his book on Immortality and recent seminars where this material and exercises were detailed and presented to an audience. Martin is also an Engineer by training and has had multiple careers. He has a B.S. degree in Engineering Science from Rensselaer Polytechnic Institute in 1977. He has done extensive graduate work in management and computer science. His career includes many years working for GE and HP and several large aerospace companies. Martin also owns his own software and consulting business. Not many technical persons or scientists spend a lot of time in parallel studying the Metaphysical and have had many spiritual or psychic experiences too. Therefore, Martin believes that he can provide a unique vantage point to integrate Western Scientific thinking with Eastern exploration of the mind and spirit.

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Senin, 08 Februari 2010

[Q803.Ebook] Fee Download Lost in the City, by Edward P. Jones

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Lost in the City, by Edward P. Jones

“Original and arresting….[Jones’s] stories will touch chords of empathy and recognition in all readers.”
—Washington Post

 “These 14 stories of African-American life…affirm humanity as only good literature can.”
 —Los Angeles Times

A magnificent collection of short fiction focusing on the lives of African-American men and women in Washington, D.C., Lost in the City is the book that first brought author Edward P. Jones to national attention. Winner of the Pulitzer Prize, the National Book Critics Circle Award, and numerous other honors for his novel The Known World, Jones made his literary debut with these powerful tales of ordinary people who live in the shadows in this metropolis of great monuments and rich history. Lost in the City received the Pen/Hemingway Award for Best First Fiction and was a National Book Award Finalist. This beautiful 20th Anniversary Edition features a new introduction by the author, and is a wonderful companion piece to Jones’s masterful novel and his second acclaimed collection of stories, All Aunt Hagar’s Children.

  • Sales Rank: #256600 in eBooks
  • Published on: 2009-10-13
  • Released on: 2009-10-13
  • Format: Kindle eBook

From Publishers Weekly
Young and old struggle for spiritual survival against the often crushing obstacles of the inner city in these 14 moving stories of African American life in Washington, D.C. Traveling street by street through the nation's capital, Jones introduces a wide range of characters, each of whom has a distinct way of keeping the faith. Betsy Ann Morgan, "The Girl Who Raised Pigeons," finds inspiration in the birds she cares for on the roof of her apartment building. Middle-aged Vivian Slater leads a hymn-singing group in "Gospel." The narrator of "The Store" labors to build up a neighborhood grocery; in "His Mother's House," Joyce Moses collects photographs and cares for the expensive home her young son has bought her with his crack earnings. Depicting characters who strive to preserve fragile bonds of family and community in a violent, tragic world, Jones writes knowingly of their nontraditional ways of caring for one another and themselves. His insightful portraits of young people and frank, unsensationalized depictions of horrifying social ills make this a poignant and promising first effort.
Copyright 1992 Reed Business Information, Inc.

From School Library Journal
YA-- In these 14 stories set in black neighborhoods of Washington, DC in the '60s and '70s, Jones establishes a mood and a specific sense of place, but he also presents universal hopes and aspirations. Beautifully and economically written, the selections are filled with revealing details of poverty and degradation, and yet the protagonists are survivors who look to find hope and meaning in their lives. The haunting, grainy black-and-white photographs add to the real, though slightly hazy, atmosphere and reveal the underlying grit portrayed so evocatively in the prose. A more-than-worthwhile addition. --Susan H. Woodcock, Potomac Library, Woodbridge, VA
Copyright 1993 Reed Business Information, Inc.

From Library Journal
As Academy Award-nominated director John Singleton said of the violence in his film Boyz N the Hood , "It's what's goin' down in America." Jones addresses similar sociological realities in his collection of 14 short stories, writing affectingly of African American life in our nation's capital. This is not the Washington of monuments, tourists, and the federal government; rather, it is the darker side of the city. Jones describes the harsh realities of life that exist for some African Americans in our society: a young aspiring singer shot dead by her boyfriend (the father of her child), a young man thieving to earn a living, a daughter desperately searching for the "why" in her mother's stabbing death. Although these experiences will be unfamiliar to many readers, Jones instills humanity in his characters and stories. He depicts people struggling to overcome adversity and survive in a dangerous world. For popular collections.
- Kimberly G. Allen, National Assn. of Home Builders Lib., Washington, D.C.
Copyright 1992 Reed Business Information, Inc.

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31 of 32 people found the following review helpful.
Phenomenal!
By Amazon Customer
I have a strange suspicion that I would not have read Lost in the City if Edward P. Jones had not won the Pulitzer Prize for The Known World. And I think that would have been a big, big mistake.

This is an excellent collection of short stories, even for someone who doesn't really know a thing about Washington, D.C. or the people who live there. The stories aren't short stories in the most traditional sense - they don't end with surprising or inevitable events or revelations. But each and every glimpse into the lives of these characters is interesting, thoughtful, and specific. Jones manages to paint a colorful, human, and memorable picture of the lives of each of the characters he introduces.

Perhaps the most arresting part of his the stories, for me, is the language. There are so many passages that I will remember, but I will only share a few. In the story "Young Lions," a character named Caesar says to his girlfriend that he loves her:

"I'm glad you told me," she said. "I was beginning to wonder. You made my day."

He promised to fix her dinner before to went to Manny's and he told her once again that he loved her.

"I wish I could record that," she said, "and play it back any time I wanted."

These lines alone told me so, so much about the girlfriend, Carol, and I know that I won't forget her. Later, a character in a story called "The Sunday Following Mother's Day" notes that her father "sounded like every black country person she had ever heard, those people who talked of fetchin this and wearin britches and someone commencin to do such and such." I laughed out loud, because I, too, know some of these country people, and Jones's description is perfect. In the last story, "Marie," Jones write that Marie "was eighty-six years old, and had learned that life was all chaos and painful uncertainty and that the only way to get through it was to expect to chaos even in the most innocent of moments. Offer a crust of bread to a sick bird and you often drew back a bloody finger."

Another delightful aspect of the book is that characters don't disappear at the end of a story. The two teenage girls who appear briefly in "The Night Rhonda Ferguson Was Killed," pregnant and moving in together, show up again as adults with 20-year old sons in "His Mother's House." Two other characters in "Rhonda Ferguson" also appear in their own story in "A Butterfly on F Street." There are a few other characters who appear twice, and I believe that several minor characters in this collection will appear in Jones's next short story collection, which should be published this year. (One of the stories was already published in the New Yorker.) I can't wait to read them all.

21 of 21 people found the following review helpful.
Great Collection by a Gifted Writer
By Jonathan Carr
This collection, first published in 1992, was considered Jones's first literary effort. I find this idea of firsts interesting and would like to look at it briefly before I move on to a few of the craft elements in his stories that I would most like to steal.

This collection of short stories was published a decade before Jones won the 2004 Pulitzer Prize for his novel "The Known World." Some of the stories in the collection were first published in the 1980s in literary magazines like Ploughshares and Callaloo. One of the stories "Marie" also appeared in the Paris Review in 1992. The thing that I find interesting is that these publications do not seem to register with the general public or even reviewers. Instead, his books are presented as sudden, award winning events. Instead of a writing career spanning 25 years of craft and respectable publications, we are presented with the image of a of sudden event, a spectacular storm, a writer whose first novel won the Pulitzer Prize.

In any event, the first thing I did when I opened "Lost in the City" was to read the opening lines of each story. I wanted to see how and where he began his stories. I was thinking of an essay by Debra Spark called "Getting In and Getting Out." The essay appears in "Bringing the Devil to His Knees: The Craft of Fiction and the Writing Life." There is an anecdote in the essay about a friend the author who is screening stories for the Iowa Short Fiction Prize. She says, "If I have to read another story that begins `The alarm clock rang,' I'll shoot myself."

Although I have never started a story with this particular phrase, I do tend to begin a story at the beginning. So as I read through the Jones collection I paid particular attention to the places he began his stories.

In "The Girl Who Raised Pigeons," Jones begins the narrative at some undefined future moment when the crisis of the story has already forced the characters' world to change. "Her father would say years later that she had dreamed that part of it, that she had never gone through the kitchen window...." The story never travels completely forward into the world from which these first lines are described. However, the story does end with a certain inevitability--a sort of narrative arc that points forward so that we understand how the characters arrive to the point we find them in the opening of the story.

"The Girl Who Raised Pigeons" covers a lot of ground in twenty-five pages. It outlines the decay of a Black, D.C. neighborhood and shows us how that decay affects the community. On one level it is a story about a father's coming to fatherhood as well as his young daughter's coming of age. It is about the place and the power of the natural world even in the urban environment. It is about an urban Black community on the edge of change.

The narrative is carried along by the story of the young girl and her pigeons. The story is usually told through a close third person narrator; however, the point of view does shift at times from the young girl, Betsy Ann Morgan, to other characters. These shifts offer insight into the community in which Betsy and her father live. But these shifts seldom last for more than a line or two and then quickly move back to Betsy.

I paid close attention to these shifts in point of view. But before I discuss them I would like to think a bit more about where these stories begin.

Another story that begins post-crisis is "The First Day." The story opens with the line: "On an otherwise unremarkable September morning, long before I learned to be ashamed of my mother, she takes my hand and..." This is the story about a child's first day of school. The story is short, only 5 pages, but it has taken a common event, a child's first day of school, and uses it to point out the divisions between social classes in the Black community. One of the interesting things about this story is that it is told in the first person. The protagonist never reaches the crisis described in the first line within the span of the story. The narrator shows nothing but love and admiration for her mother throughout the course of the story. We are lead by that single clause, "long before I learned to be ashamed of my mother," and the trajectory of the story to understand that the protagonists shame is inevitable.

I find it fascinating that he entire story hinges on this single clause. We never see a hint of shame in the narrator aside from her opening line. If that clause were deleted we would not necessarily know that the narrator would ever come to be ashamed of her mother. But knowing this first line and following the trajectory of the story we know that the crisis and the change are inevitable.

Jones also opens his stories from the middle. The narrator then takes the story back to that middle before moving farther forward. He does this in the story "A New Man."

"A New Man" begins with the lines, "One day in late October, Woodrow L. Cunningham came home early with his bad heart and found his daughter with two boys." The narrative eventually makes its way back to explain exactly how Woodrow came to find his daughter with two boys, but it does not stop there. The narrative continues. It carries the story farther. We come to understand exactly what this event means in the life of Woodrow and how it comes to define his essential character.

Now, rather than continue with this idea of how or where Jones begins his stories, I would like to move on to two other divices Jones uses: point of view, and the idea of epiphany and change within a character.

As I mentioned earlier, Jones does not shy away from changing the narrative point of view if it serves the story. But the places where he shifts point of view seem to be dependent on a few things. He only ever shifts in a third person narrative. The point of view never shifts for more than three or four sentences. The point of view only shifts in stories that are 20 pages in length or longer. He always quickly brings the point of view back to its original place.

It is the brevity in the shift that I find most interesting. It is like one of those little flashes of insight that Woolf wrote about--matches struck unexpectedly in the dark--or the mirror in Joyce's "The Dead." The shift lets us see for a moment how the character looks within their world. For example the title story of the collection, "Lost in the City," is told by a close third person narrator. However, there are two moments in the story where the focus shifts from the protagonist, Lydia Walsh, to her taxi driver. The first shift occurs about two thirds through the story: "He thought that maybe she had been born elsewhere, that she did not know Washington, would not know the streets beyond what the white people called the federal enclave." This shift in point of view ends quickly. The narrator brings our focus back to Lydia. "But in fact, the farther north he went, the more she knew about where they were going."

At the end of "Lost in the City," the point of view again shifts for a moment. "The cab driver thought that her crying meant that maybe it had finally hit her that her mother had died and that soon his passenger would be coming to herself."

I suspect that it is the brevity of these shifts that make them work. Another aspect of these shifts is the fact that they are subtly revealing--not deeply or overtly revealing--and they are always revealing something in the protagonist. These shifts in point of view seem to stress the importance of community in these stories. They show, however briefly, that these characters do not live in isolation, that on some level they are always aware of themselves within the context of others--or perhaps it is that we should always be aware of them within the context of a greater community.

The final aspect of this collection of stories that I would like to look at relates to an issue raised in an essay by Jim Shepard titled, "I Know Myself Real Well. That's the Problem." In this essay, Shepard criticizes the tendency for novice fiction to create characters who are "whooshing along the conveyor belts" of narrative toward some kind of epiphany. Given that my stories have this tendency, I am curious how Jones creates a sense of movement and revelation without allowing his characters to fall into that whooshing conveyor belt.

One way that Jones avoids this narrative conveyor belt is by beginning the story someplace other than the beginning and ending the story in a place that points to the inevitability of change or crisis, but he does not necessarily show us that change or crisis. This can also be seen in the story, "The First Day." We do not experience the moment when the narrator becomes ashamed of her mother. We are told in the opening line that the narrator will indeed one day be ashamed of her mother. We are lift at the end of the story with the inevitability that, despite the strength and character of the mother, the child will one day become as ashamed of her as other members of the community.

Often in this collection of stories the narrator is not even aware of his or her change. The reader senses that something is in fact permanently altered, but it is difficult to say exactly what that thing is. At the close of the story "My Mother's House," we do not find the protagonist, a mother whose biological son has just murdered by her godson over a dispute involving drugs and money, in the throws of some sort of epiphany.

Her husband, who is not the father of either child, works as a bodyguard for her biological son. Her husband skulks away from the scene of the crime, leaving her in the street to comfort her dieing godson. She has always known that her husband was a weak man. At the close of this story we find the protagonist drinking a fifth of vodka and walking from room to room in the house her drug-dealing son purchased for her. She unlocks all the doors and windows, "for Santiago (her son) had no key to her house. And outside that house there was a very cruel would and she did not like to think that her child was out there without a place to come to."

The protagonist knows throughout the story that the world is indeed cruel. The cruelty is not a revelation. Nor does she necessarily seem poised to make some sort of change. In fact, she opens her house in a rough neighborhood so that her son, who has just murdered her godson and pointed a gun at her face, may come into the house for comfort.

Perhaps the real change at the end of this story takes place in the reader. After we have experienced this world, we can never view these characters or their world in the same light--we will never be able to read this story in the same way again.

In the end, there are still many more aspects of this collection that will occupy me throughout the coming months. I have marked my copy of the book with many notes. I find myself referring back to them often.

12 of 13 people found the following review helpful.
Extraordinary
By Martha B. Spencer
Jones is a very gifted writer; his characters are so believable and real. These are not the happiest of stories, but the quality of his writing is extraordinary. The two stories that stood out for me were "Orange Line to Ballston" and "Marie." Marie is an elderly woman who has outlived three husbands and must deal with the indignity of going for interviews at the Social Security office to be sitting there for hours on end long past the time for her appointment and treated as if she were invisible. Poignant and beautiful portrait of old age.

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[U315.Ebook] Ebook Free Make 'Em Laugh: The Funny Business of America, by Michael Kantor, Laurence Maslon

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Make 'Em Laugh: The Funny Business of America, by Michael Kantor, Laurence Maslon

From the most popular routines and the most ingenious physical shtick to the snappiest wisecracks and the most biting satire of the last century, MAKE 'EM LAUGH illuminates who we are as a nation by exploring what makes us laugh, and why. Authors Laurence Maslon and Michael Kantor draw on countless sources to chronicle the past century of American comedy and the geniuses who created and performed it-melding biography, American history, and a lotta laughs into an exuberant, important book.





Each of the six chapters focuses a different style or archetype of comedy, from the slapstick pratfalls of Buster Keaton and Lucille Ball through the wiseguy put-downs of Groucho Marx and Larry David, to the incendiary bombshells of Mae West and Richard Pryor . And at every turn the significance of these comedians-smashing social boundaries, challenging the definition of good taste, speaking the truth to the powerful-is vividly tangible. MAKE 'EM LAUGH is more than a compendium of American comic genius; it is a window onto the way comedy both reflects the world and changes it-one laugh at a time.





Starting from the groundbreaking PBS series, the authors have gone deeper into the works and lives of America's great comic artists, with biographical portraits, archival materials, cultural overviews, and rare photos. Brilliantly illustrated, with insights (and jokes) from comedians, writers and producers, along with film, radio, television, and theater historians, MAKE 'EM LAUGH is an indispensible, definitive book about comedy in America.


  • Sales Rank: #1484254 in Books
  • Published on: 2008-12-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.25" h x 1.49" w x 9.25" l, 4.71 pounds
  • Binding: Hardcover
  • 384 pages

From Publishers Weekly
Kantor, who produced and directed the Emmy-winning Broadway: The American Musical for PBS in 2004, returns with a six-part PBS series on comedy. For this companion book, he teamed with NYU professor Maslon, editor of Library of America's George S. Kaufman collection. Their guide to guffaws and giggles ranges from silent film actors (Charles Chaplin, Buster Keaton) to sitcoms (Seinfeld), satire (Mad, SNL) and stand-up comics (George Carlin, Lenny Bruce). Taking a scattershot approach with 60-plus performer profiles and sidebars, the resulting text is sometimes superficial with curious oversights; two decades of radio comedy get squeezed into three pages, so Amos 'n' Andy and Bob and Ray rate only a few paragraphs; Stan Freberg sold millions of records yet is dismissed in a single sentence. With hundreds of fascinating photographs, this book benefits from the TV series' extensive photo research, but what is certain to be a hilarious cascade of clips on PBS is a pratfall in print. (Dec. 2)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Michael Kantor is a writer, director, and producer whose work includes "Quincy Jones: In the Pocket" for American Masters, Cornerstone for HBO, and The West with Ken Burns. Prior to his work in television, Kantor was a freelance theater director and writer, published in Newsday, American Theater, and Interview. He is president of Ghost Light Films and Almo Inc., companies dedicated to bringing the arts to television.

Laurence Maslon is an associate arts professor at New York University's Tisch School of the Arts. With Michael Kantor, he coauthored two episodes of the Broadway series and served as its senior adviser. He also wrote the American Masters biography of Richard Rodgers and edited the Library of America edition of George S. Kaufman's comedies. He lives in New York City and on the North Fork of Long Island.

Most helpful customer reviews

11 of 11 people found the following review helpful.
A serious look at comedy
By Julie Neal
This big, beautiful book is the companion to the PBS series about what makes Americans laugh. It's not meant to be comprehensive, and it's not. But what is here is fascinating. Filled with photographs, it's easy to open to any page and begin reading. I couldn't put it down.

The book is separated into six chapters that explore different styles of comedy. There is lots of overlap, of course -- Harpo Marx would be at home in the "Oddball" segment, and Jon Stewart is certainly a "Smart-Aleck" -- but this convention makes it easy to put similar comedians together, and focus on why what they do makes us laugh.

There is lots of comedy here. The book is peppered with transcripts of comedy routines and television shows. Quotes from people in the industry, including writers, producers and other comedians, provide insight to what makes performers tick. Rare archival material includes a full page detailing The Sketch That Couldn't Be Done, written by Elaine May for The Smothers Brothers (it was considered in bad taste). If you want to know George Carlin's seven dirty words, they're all here.

In a sweeping book like this, lots will be left out. But I have a few personal peeves. The only mention of one of my favorites, Red Skelton, is to diss him in the segment about Buster Keaton: "(Keaton) spent the next two decades doing what work he could get as an off-camera gagman for stars like Red Skelton, who couldn't hold a candle to Keaton." Animated classic film comedies from Pixar such as Toy Story and Finding Nemo are ignored. And Garry Shandling merits only a mention in the Gilda Radner section, instead of being in a spotlight for The Larry Sanders Show. Worst of all, women are passed over routinely for guys: there are segments on 53 male comedians versus 9 for women. And that's not funny.

Here's the chapter list:

Introduction

1. Slip on a Banana Peel: The Knockabouts
Charlie Chaplin, Buster Keaton, Laurel & Hardy, Harpo Marx, The Three Stooges, Lucille Ball, Jerry Lewis, Jim Carrey

Sock it to Me?: Satire and Parody
Will Rogers, Sid Caesar and Your Show of Shows, Tom Lehrer, Allan Sherman, Johnny Carson, Rowan and Martin's Laugh-In, Carol Burnett, Mel Brooks, Saturday Night Live, Billy Crystal, The Wayans Brothers, Jon Stewart and The Daily Show

Never Give a Sucker an Even Break: Smart-Alecks and Wiseguys
W.C. Fields, Groucho Marx, Jack Benny, Tim (The Kingfish) Moore, Phil Silvers, Paul Lynde, Redd Foxx, Joan Rivers, Eddie Murphy, Larry David

Would Ya Hit a Guy With Glasses?: Nerds, Jerks, Oddballs and Suckers
Harold Lloyd, Eddie Cantor, Bob Hope, Jonathan Winters, Phyllis Diller, Woody Allen, Cheech and Chong, Steve Martin, Gilda Radner, Robin Williams, Andy Kaufman

Honey, I'm Home!: Breadwinners and Homemakers
The Goldbergs, George Burns and Gracie Allen, The Honeymooners, The Dick Van Dyke Show, Norman Lear and All in the Family, The Odd Couple, Bill Cosby, Roseanne, Seinfeld, The Simpsons

When I'm Bad, I'm Better: The Groundbreakers
Mae West, Burlesque, Abbott and Costello, Moms Mabley, Fred Allen, Mort Sahl, Lenny Bruce, The Smothers Brothers, Richard Pryor, George Carlin, Bill Maher

0 of 0 people found the following review helpful.
A Good Read
By Conor Cunneen
A really good read. Make 'em Laugh provides excellent commentary on many of the people who made America and the world laugh.
This is the perfect book for anyone interested in the art of comedy, be they a humorous motivational keynote speaker, motivational humorist or not.
Broken into six sections:
The Knockabouts
Sock it to me / Parody
Never Give a Sucker an Even Break
Nerds, Jerks, Oddballs and Suckers
Honey I'm Home
The Groundbreakers

The authors provide crisp interesting biographies of almost all of the greats.
About the only obvious name missing for me was Bob Newhart. If comedy is tragedy separated by time, many of those portrayed were bound to have been comics given the unhappy or lonely childhood many experienced.

Interesting photography and some great quotes add to the overall good feel about this book. A great gift for someone who is into fun and good humor.

8 of 11 people found the following review helpful.
fun, but inadequate
By Richard S. Parker
I'll start by admitting that the book is fun. I finished it in two snowy days when schools were closed and, as a public school librarian, I had time on my hands. It covers a lot of ground. But there are real, fundamental, problems. First, the material is a bit centered on the "cult of personality." If the genre of comedy can't be pinned to specific individuals, it doesn't get much attention. The biggest hole in the book is a one-sentence description of screwball comedy. That's it. Where's The Awful Truth, Arsenic and Old Lace, Some Like It Hot, The Philadelphia Story or Twentieth Century? Nowhere! This whole immensely influential and popular genre of comedy never gets its due; indeed, hardly gets a mention. With comedy, it's all a matter of taste. Who's great? Who's merely good? But, a book that gives Lucy three pages and Paul Lynde five has got to be taken with a grain of salt and a certain amount of healthy skepticism has to be applied to the text. And, that brings me to my final point. The authors are a little too free with hyperbolic praise. "Eddie Murphy remains the most successful comedian in American movies" is a statement that ought to be examined very carefully. There are other claims made in the book that should be taken with several large grains of salt. Enjoy the book for what is does present, remind yourself of the work of performers you've enjoyed over the years; but (and this is an ironic thing to say about a book on comedy) don't take the book too seriously.

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